WEBVTT
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Hello from our studios in Los Angeles and Tampa. This
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is Green Tag to Theme Park and thirty. I'm Philip
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from Gantu Mighty and Controls. I'm joined as always by
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my delightful co host, Scott'swinson of Scott's Winson Great Development
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on Green Tag. Look at the top news each week
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and we try and pick the stories we think are
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the most impactful for professionals in the theme parking thing
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the entertainment space. This week, though, I think we're going
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to choose one because it's a little near and dear
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to Scott's heart. I think, and it is that the
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United Parks Resorts, which is which comprises or which comprises
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SeaWorld and Bush Gardens, or SeaWorld and Bush Gardens are
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comprised of parks, aren't goes. But anyway, that chain we're
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talking about the company, the parent company for the parent
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company there you go, right, they have finally moved into I.
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Went through so many of those when I worked for
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Busch Gardens. We had so many parent companies while I
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was there, so I.
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Learned that anyway, I'm sorry, go ahead, Busch Gardens and
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SeaWorld have finally moved into the IP Halloween Game because
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they are bringing IPS from Sony to all of five
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all the all the five Halla Scream instances happening this
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Halloween season. Basically, it's two big ips that Sony has
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this partnership with United Parks on. It is I Know
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what You Did Last Summer and Anaconda and Bush Gardens
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Tampa and Bush Gardens Williamsords will get Anaconda and I
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Know What You Did last Summer will go to all
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the SeaWorld Orlando, San Diego and San Antonio Parks.
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And that's the gist of it.
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We can go into some of the details, but basically,
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the only other thing that is interesting about this is
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that on Anaconda they are actually different storylines that tell
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different parts of the story, so the houses are different
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from a story standpoint. Tampa gets Anaconda, fear has no
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escape and when Williamsburg gets Anaconda dead on arrival and
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both instances in both instances for both ips. Sony says
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it's the first time that they've been licensed in this
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way for a large Halloween event to do a physical
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walkthrough type of thing at a like a haunted house.
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The first soneted house.
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They've done and of course CEO Mark Swanson gave different
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press releases about this, but basically I don't know.
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He saw.
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Our fans are looking for new and immersive scares, and
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bringing Ana Conda to our Hollow Scream event elevates the
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experience at both Bush Gardens Parks. The addition to Vanda Conda,
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combined with all new Haunts entertainment, will solidify Hallas Stream's
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spot as one of the nation's top Halloween events.
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Will it, Mark and on I.
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Know what you did last summer? He said, This thrilling
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franchise is captivated horror fans for years with its suspense
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and terror. Now our guests will step into the world
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facing some of the same heart pounding moments that make
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the film come alive. As one thrilling part of the
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lineup upon It House scaresens and live entertainment emergency experiences.
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We are excited to deliver what we believe is our
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most ambitious Hallis Scream yet. Scott, you you have a
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history with United Parks and specifically with Bush Gardens in Tampa.
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How Hollow Scream in general? Yeah? Yeah, Hell Scream in general?
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Right, a large history. Maybe catch us up on your
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history and tell us what you think about anacon.
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So, yeah, yeah, yeah. Back in the day, I was
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part of the team that created Hellow Scream Bush Gardens
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in Tampa. I have and then for the first fifteen years,
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I was part of the creative team, sometimes the creative director,
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sometimes the creative producers, sometimes just creative consultant, just depended
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on the year, and so I've been I was involved
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with with the creative for Hellow Scream at Bush Gardens
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for the first fifteen years. I then have gone on
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to write haunts for SeaWorld Hellow Scream in Orlando and
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SeaWorld Hello Scream in San Antonio. And I've consulted on
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a couple of haunts at Bush Gardens in Williamsburg. So
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I know the early days of this product very very well,
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and I have continued to go and visit. I still
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have friends who work here in Tampa and in San Antonio.
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I know Roland is still very Roland Garcia is still
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very much involved there. But so here's the things that
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I find interesting about this particular announcement. First, going back
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back in the way back machine to the first fifteen
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years of the event, we were always jealous that Universal
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had all the IPS, and Universal was always jealous that
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we weren't. We didn't have our hands tied by the IPS,
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so we could come up with new and unique stuff.
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And Universal had to follow the IP brand guides and
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then had to get sign off every step of the way,
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you know, and you know, to have to have the
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directors of famous films come through and do a final
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walk through. Yeah, that's pretty cool, that's pretty exciting. But
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if they didn't like what they saw, then there was
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a lot of struggle to get back to where they
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could actually open, because it's written in a lot of
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those agreements that they don't open if they don't get
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final approval. So one of the things that Busch Garden's
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Hellow Scream had was the fact that because we didn't
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have to spend so many so much money just to
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say whatever the IP was, we could invest that into
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the product itself. There was one year where we actually
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kind of broke down and we couldn't get hard numbers,
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but based on general soft numbers, we were able to
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say that our operational budget, not including capital, but our
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operational budget would have been taken up completely by the
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number of IPS that Halloween Hornet's had in Orlando. So
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and that's just the rights to be able to call
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things by these existing names. So it also meant that
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in Orlando they had to have significant higher numbers because
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the audience wasn't necessarily seeing the investment that they pay for.
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The ip flip side of that is, you don't have
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to tell any backstory. Everybody knows the intellectual properties, They
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know the backstory of all this stuff. And for Universal,
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I think it was kind of essential because you know,
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that was back in the day where they were still
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writing on the coattails of Ride the movies, and so
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they cut it was kind of in their brand warehouse
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or their brand wheelhouse to to actually bring those great
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Haunt properties to life. And everybody thought that they were
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actually all Universal films, but they were not. So they
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had to lease everything pretty much except Classic Monsters. That
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was the only Universal actually never had to lease. But
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you know, anytime they did Freddie or Jason or oh god,
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so many American Werewolf in London, all of you know,
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all of those, they spent more money upfront before they
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ever painted a single set piece or even build a
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single set piece than Hella Scream did. And that was
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just on the on the eyepiece, So we we intentionally
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took the route because we didn't have the numbers. We know,
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we didn't have the budgets early on. We intentionally took
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the route to avoid IP and create our own compelling
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storylines in this world now, and Philip and I were
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just talking about this before the show, where people only
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like what they know. That's why IPS are becoming more
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and more important, more and more essential, especially for Halloween events.
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So it makes sense that they're that they're moving in
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that direction slowly the one curiosity, and I've seen other
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parks do this. When they start to invest in IPS,
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they make up for it by doing less product because
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they have to. They have to divert some of that
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budget to pay for the IP, so the product itself
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is smaller, and then they get frustrated because they think, well, gosh,
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we clearly didn't pick the right ep No, you just
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people don't come for a single IP, they come for
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the entire event, and when the entire event gets smaller. Now,
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I don't know whether Bush Gardens and See World are
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going to do this or not. This is this is
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I'm just sharing theory and actual practice at the time
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with some of the some of my clients and some
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of the projects that I've worked on. So I'm hoping
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that they have added the price of the IP onto
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the budget and aren't going to be required to pull
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it from the budget because I have no idea. I mean,
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I knew back you know, twenty six years ago. I
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knew what it was back then, but I don't know
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now what these IPS will go for or sell for,
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what the agreement is, any of that. So the fact
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they're going down that road, I trust the team at
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Bush Gardens because I know a lot of them. Actually
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a lot of the people who are now doing most
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of the design work were people that I worked with,
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people that I trust, people that I respect, people that
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are really, in all fairness, doing better work than we
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did when I was there. So I'm very excited about
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that side of it. I'm hoping that they will still
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have the finances and the resources now that the IP
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is in place. So there's the whole IP non IP storyline.
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Where does the money come from?
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All of that?
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So hopefully they've got all that figured out, and if not,
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they're going to soon discover that they need to get
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it figured out. The next question I have is the
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IP itself now one of the things that we were
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never allowed to do back in the day. Now I
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realize it's a completely different world and the parks have
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changed significantly. But one of the things we were never
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allowed to do, even when we weren't doing IP, was
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any sort of animal attack. We were never allowed to
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do anything that portrayed any any species as a danger
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to humans or as a predator of humans. And so
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when I saw anaconda, I was like, well, these days
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have changed.
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That is unique.
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And again, working with so many zoos, it's it's a
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little bit like fingernails on a chalkboard to me because
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it because it was so ingrained in me. Now is
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it wrong? No, I can't say that it's wrong because
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I think everybody knows that it's fantasy, got it. But
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it's just so it is such a one eighty from
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the early days of Hellow Scream, and I think that
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is what is is a little bit hard for me
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to swallow. So I guess what I'm saying is intellectually
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I understand it. It ties to the day product, which
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is why we wanted to do it.
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Back in the day.
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It was something that everybody said in all of our
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in all of our focus groups, why doesn't Bush Gardens
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do something about animals escaping and eating people? And we
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were like, that would be great. That's you know, it
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ties into our it's making fun of our day product.
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And we're you know, everybody knows that it's not real.
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And the powers that be at that time were like, no, no,
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we just I don't care what they want. They don't
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know what they want. We can't do it. Are like, okay,
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so we didn't. So the fact that it's anaconda, the
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fact that it is a giant snake, it's a giant
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reptile that does actually exist. It's not a space alien anaconda,
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it is. It is a species that exists, is you know,
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part of the ecosystem and plays a very important part
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of that ecosystem. And the fact that anacondas can they
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don't very often, but can actually kill people or large animals.
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So just the fact that it became anaconda was my
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first interesting interesting then when it went on to then
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when I read deeper into this story and discovered that
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that they're doing anaconda both here and Williamsburg. What that
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means is that they've got two stories so that next
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year they can flip flop them. I'm guessing they probably
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have pretty much the same footprint, if that's at all possible,
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if they were planning ahead so that they can literally
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just flip flop some props. They can send send things
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from Virginia to Florida, some things from send things from
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Florida Virginia, and everything's a brand new, a brand new show.
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I I'm And then my final thought was, I went
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back to my very first moment when I saw Anaconda
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and I didn't even realize it was an IP because
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the twenty twenty twenty five film I did not see.
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I immediately went to, this is oh the movie from
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ninety seven. Oh, okay, but it's this is exactly how
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these kinds of ips work. It's when like Sony, the
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owner of the IP wants to bring it it, wants
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to bring it back so that they can continue to
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reinforce it. You know, there were there have been many
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films based in the iconic or in the Anaconda iconography,
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and I only saw the first one, and that was
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more than enough for me, quite honestly. But I think that,
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you know, I think it's a cool idea I have.
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I still have a venue flow in my computer for
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a a serpentarium that goes a visit to a serpentarium
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that goes horribly, horribly wrong. And you actually entered through
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a broken habitat, So you walked in and you saw
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broken glass, and and you walked into the habitat, and
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we were followed by snakes throughout the entire throughout the
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entire thing. But again that was back in the day
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where we couldn't do anything negative with animals. So it's
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been something they've been trying to do. I'm glad they're
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doing it. I think it's going to be interesting to
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see how it pans out. But once again, I hope