Dec. 15, 2025

Netflix, Warner Bros., and what it means for Theme Parks

Netflix announced plans to acquire Warner Bros. Discovery in a $72 billion deal - a deal that will shake the very foundations of the theme park industry.

Netflix announced plans to acquire Warner Bros. Discovery in a $72 billion deal—only to face an immediate hostile counterbid from Paramount. Either path would take months, if not years, to resolve and must clear regulatory and shareholder hurdles. But even at this early stage, the implications for themed entertainment are significant.

Warner Bros. currently licenses its characters across a wide theme park footprint, including Warner Bros. World Abu Dhabi, Movie World, and major IP deployments at Six Flags. Universal relies heavily on Warner Bros., most notably through Harry Potter. Control of Warner Bros. doesn’t just mean streaming libraries—it means leverage over some of the most nostalgia-driven areas in global parks.

If Netflix ultimately prevails, Warner Bros. IP would sit inside a company already experimenting with location-based entertainment through Netflix House—a flexible, free-entry model designed to rotate IP quickly and respond to audience data. That pairing could accelerate Netflix’s ability to move franchises from screen to physical space without relying on traditional park operators. Paramount, by contrast, has shown little interest in themed entertainment and appears focused on consolidating legacy media assets, including cable networks Netflix doesn’t want.

The biggest risk may sit with Comcast. Universal could find itself flanked on two sides: continuing to license Warner Bros. IP while competing against a vertically integrated Netflix that can deploy its own brands directly into physical spaces. While nothing changes overnight, the long-term balance of power between IP owners, licensors, and operators could shift sharply depending on who controls Warner Bros.—and how aggressively they choose to use it.

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WEBVTT

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Okay, from our studios back in Los Angeles and Tampa.

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This is green Tag Theme Park and thirty. I'm Philip

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and I'm joined as always by my delightful co host

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Scott Swinson of Scott Swinson Creative Development. On Green Tag,

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we look at the top news each week and explain

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why it matters to industry professionals. We try to ask

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questions and get conversations going. And of course we wanted

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to thank everybody for commenting on last week's episode, which

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was recorded early last week, of course while I was

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in LDI. But there was a lot of great discussion

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in the YouTube comments about travel trends and the idea

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of overcrowding and the tipping point for when stuff is

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worth it or not. This week, we bi Popular Demand

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are going to discuss the Netflix and Warner Brothers deal.

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People even in last week's episode, we're asking about this

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and I've gotten several texts and emails requesting this topic.

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So we're gonna talk about that today and see what

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else we get to.

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Yeah, before we dive into that, I just really want

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to go back just a hot second to all the

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comments that were made and the discussion that is happening,

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you know, online and through messaging. I just want to

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commend everyone for having for sharing different perspectives, sharing different insights,

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reinforcing or disagreeing with what we said in the in

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the shows, because it was all done, at least from

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what I saw, was all done in a very respectful manner,

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and I want to continue to encourage that because, let's

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face it, social media is hard enough to manage and

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get through without somebody saying something starky. So just keep

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keep in mind that we are all here for this

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for a common good, and one of the goals of

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this show has always been to spark insightful and beneficial

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conversation for the industry. So I just want to give

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all of the listeners and everybody who commented an extra

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thank you for not only commenting, but for commenting in

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a way that is constructive and helpful and beneficial to

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all of us. So thank you very much. Now let's

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talk about NETFLI.

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Yes, so I'm kind of glad that we did wait

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a little bit of time to talk about this, even

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though it was mostly because I was out of town,

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but we because.

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It was one hundred percent intentional. We wanted to see

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it all panned out. Ha ha ha ha. That's a lot.

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Okay, yep, it's that one.

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So as everyone is aware, Netflix announced last week that

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it would purchase Warner Brothers Discovery and a deal worth

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over seventy billion dollars. But since then, Paramount has launched

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a hostile takeover bid. So Paramount launched a counter but

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the Warner Brothers team like denied it. So what happened

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is they launched a hostile takeover bid by going directly

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to the Warner Brothers shareholders. And just unlike Netflix, Paramount

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wants to acquire all of Warner Brothers assets, including the

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cable networks like CNN, So they are basically paying offering

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now to pay more for it, and they're going directly

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to the shareholders. So it's This is just to say

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from the outset, this is still very much influx situation.

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So there's so much and I'm not an expert in

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any of this, but I've read an extraordinary amount on

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this topic, and basically no one really knows because there's

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multiple scenarios that could play out, like will the shareholders

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accept that they don't usually accept takeovers like this because

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the shareholders are most of the shareholders are owned by

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larger firms, so they're not really a kin to accepting

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that type of thing. But basically, we'll just say how

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it's supposed to work here in America, how it's supposed

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to work here. The caveat is that whoever brings the

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biggest check it usually is supposed to win, because that's

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what it's about. It's about shareholder return. So whoever brings

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the biggest check, it's supposed to win. Whether or not

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it's a good deal for that company doesn't matter. What

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matters is like, whoever brings the most money usually is

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how it's supposed to win. And then from there, once

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they've done that agreement, then it would go to the government,

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and they have some really smart economists that will look

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at it and they will say, if this consolidation happens,

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is it going to hurt consumers? Is it reasonable to

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think that it's going to reduce choice to the amount

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where it would increase negatively increase prices without increasing demand

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sufficient enough?

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Normally, how's supposed to go?

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Does it?

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And then they would block or not block, or you

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know whatever the government would so that that's normally how

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this is supposed to happen. This one's a little bit

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different because, like I mentioned, there's the there's the takeover

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that's going straight to the shareholders. Then there's the component

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where it's you're not even really comparing apples to apples

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here because the what they're trying to buy is different. Right,

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What what Paramount is is trying to purchase is everything

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because they actually want CNN.

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Right.

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Netflix does not want CNN. They don't want any of

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the news assets, so they would let those go to

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somebody else. So it's you're not even comparing number the

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right numbers because you don't know how much the other

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people would pay for CNN. So if if they found

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a buyer anyway, all that stuff plus then you get

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into how Paramount has said publicly that they believe theirs

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would not be blocked by the government because of their

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ties to the Trump administration. And they believe that, and

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Trump has acknowledged this to some degree that they would

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allow this to go through just because of their relationship.

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But is that the same for Netflix or not? Or

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you know, does Netflix need to buy trump coin, you know,

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in a corner and make it who knows. I don't know,

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So I want to get that complication out of the

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way for us in the theme park space. We also

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really don't care about CNN, so we're really what we're

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looking at is is the impact of the theme park

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stuff and Wonner Brothers licenses its name. Now, just to note,

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Warner Brothers doesn't actually own or like, it doesn't own

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any theme parks, but it does license its name and

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characters to multiple a lot of people. So there's Warner

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Brothers Movie World, there's Warner Brothers Abu Dhabi. It also

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licenses Loney Tune in DC to all the Six Flag

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stuff obviously, then the licensing group that manages everything the

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Warner Brothers Discovery Global Experiences that they just they just

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made that last year. They also do the WB Studio

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Tour in Hollywood, London and Tokyo London. That's an enormous,

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very large experience. So they do have all these experiences happening.

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Let's not forget a course, that all the stuff with Universal,

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they have all the Harry Potter areas and every Universal

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theme park you know, plus the Scooby Doo and Beatle

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just character meting and Greed's like they have a lot

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of plus all the Halloween Horn Night stuff Like Warner

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Brothers has a lot of like tendrils in all of

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the theme park world with so many different operators and

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not just when they're operating their tours, but also their

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agreements obviously the characters, the leases. So there's a lot

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of tendrils out here. And the thing is nobody knows,

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like nobody knows how this is going to work at all.

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And not only and not only that, they also have

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with the with the Potter franchise. They also have the

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museum pop ups, they have the exhibits and exhibitions, so

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they're they're kind of tendrils, is a great way to

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discuss it. It's like they have tendrils or roots reaching

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out into a bunch of different theme parks and attractions.

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And excuse me. And when I saw.

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The Netflix story, the first thing that I thought of was, oh, well,

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this is a this is perfect timing with you know,

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opening the various Netflix Netflix houses, yeah, anchor stores, yeah,

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the Netflix.

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Yeah.

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So that that's also your right. That's the other complicated

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thing is like you know Netflix, so Warner Brothers aside,

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it's like you also aren't even sure like these different

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people would also use all this differently right, Like Paramount

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doesn't really have any like theme entertainment things that they're

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experimenting with. But Netflix, if you know, Netflix does complete

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the purchase brothers. They have the Netflix Houses that they

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just launched, and Netflix before the Netflix Houses, they were

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experimenting with those pop up experiences that were that were

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traveling around. So Netflix has shown interest and not just

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a little interest. They've already announced. So I went to

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Netflix House Dallas last week so I can talk about

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Netflix House Dallas. I saw it in person. But Netflix

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House Philadelphia opened last month. Netflix House Dallas opened on

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December eleventh, and they announced next year they're going to Vegas.

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So they're they're like expanding and that they're not done.

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I mean, they have a large expansion plan for Netflix Houses,

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so you could easily see where that would wrap all

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into it.

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And then you would even wonder.

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Are they would they want to do a theme park

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or if not, I mean it's just well like to me, or.

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Even if they chose not to do a theme park,

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which I personally feel is the direction they should head into.

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I can't believe I'm saying you shouldn't do a theme park,

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but to keep these, to keep these small attract smaller attractions,

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manageable attractions that you can change out quickly and more

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cost effectively.

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That's right with with the the.

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W B, the Warner Brothers, uh arsenal of of additional ips.

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You know.

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Now now all of a sudden, Netflix house could could

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bring in well, of course Potter, that's the that's the

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low hanging fruit that just prints money for them. But

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Game of Thrones could bring in DC. You know, could

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any of these Yeah, they could just go. It just

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expands their their potential exponentially as too.

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Yeah, and they don't need to worry about long term

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construction like with the Theme Parks. I mean, their model

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is is so fast and easy to switch around. It's

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it's like, so I think when we're looking at the

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three players here, I think from what I've read and

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just even when I think, even talking to people at

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ld I and everything, it feels like everybody I wanted

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Comcast to get it because everyone's like, well, then it

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would safeguard the parks. You know, they would have more control,

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you know, Universe would have more control over.

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The Potter areas all this kind stuff.

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So it seems like Netflix, or it seems like the

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Warner Brothers going to comcasts would have made the most

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people happy. It seems like everyone would have been happy

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with that. But they're not even in the running, it

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seems like to me, so it's like it's like, now

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we're looking at really, is it just going to be

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is it just gonna be blocked entirely, or is it

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going to be Netflix or is it gonna be Paramount.

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It seems like.

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On the Paramount side, there's just a lot of other

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items here on the background. I want to read something

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from Heathercox Richardson which sent out you cover this little bit,

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But she says David Ellison, son of right wing billionaire

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Larry Elson, who co founded software giant Oracle, bought Paramount

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over the summer and appears to be creating a right

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wing media ecosystem dominated by the Trumps. Part of the

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FIANC for this purchase of Warner Brothers Discovery would come

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from the investment company of Trump's son in law, Jared Kushner,

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as well as from Saudi and Katari sovereign wealth funds.

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Paramount told Warner.

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Brothers Discovery shareholders that they should accept his offer because

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Trump would never allow Netflix deal to happen. The Paramount

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merger gave Ellison control of CBS previously, which promptly turned right.

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Word at stake now is CNN, which Netflix doesn't particularly want,

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but Paramount does either de neuter it or turn it

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into another version of Fox News. So it's just it's

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interesting when you think about the backgrounds too, because the para,

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just like Heather is summarizing here, there's been already a

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lot of moves with Paramount because it just got bought

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by the Ellisons and they're trying to turn it in there,

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and it seems like what they really care about is

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the CNN portion, and that it's not really gonna necessarily

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impact our world because they don't really care about theme parks,

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you know, they kind of just they'd probably just cash

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the checks from Universal and just let things go on.

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It would merely more be about the CNN property. On

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the flip side, Netflix, it seems like they do care

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about the theme parks and the theme entertainment and that

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whole thing. And also I would argue I talk to

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a lot of people at ELDI, a lot of Universal

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team members, a lot of Disney team members, a lot

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of people, and it seems like nobody really wants it

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to go to Paramount because of the political background, and

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also because it doesn't seem like Paramount cares about theme

237
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entertainment and they're already word declining, so it's like they

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can't even really manage their studio well and all that stuff. Also,

239
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Ellison is not a media guy.

240
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He doesn't.

241
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He's not a storyteller, right doesn't. He doesn't have any

242
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background and telling story versus. Netflix has shown repeatedly that

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they can make good series and they have shown interest

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in the theme entertainment. So I think the consensus I

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spoke to from everybody, it's like Comcast would have been

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number one.

247
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But if they're not to be considering.

248
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Then even though it could, it could create a less

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competitive market. But Netflix makes more sense for our theme

250
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park world just because the manager sh Meant already knows

251
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how to tell good stories. They hire people and get

252
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out of the way, and they have taken much bigger

253
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bets on crazy stories like squid games that you wouldn't

254
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have fought whatever, have done anything. And then all that

255
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like creative empowerment when given then added to the another studio,

256
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plus the footprint in thing entertainment seems to be.

257
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Yeah, more more interesting for the theme park people.

258
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Well, it's interesting because you say.

259
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That everybody that you talk to from Universal thought Comcast

260
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would be the best, the initial best choice.

261
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So Universal from univers Yes, Disney is like upset they

262
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didn't even bid on it. And I was like, well,

263
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you do realize, Disney that you don't have any money, right.

264
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Any money to bid on it, and you know Comcast.

265
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Comcast is like yeah, because that protects But like you said,

266
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WB has a lot of tendrils that go out into

267
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the rest of the world. And of course there's some

268
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Saudi funding going into it because let's see, where's the

269
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next biggest six Flags park opening. That's right, Saudi, So

270
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they want to protect that interest, So that makes sense.

271
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The thing is, though, I think that that I think

272
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is really interesting is and and going back, I think

273
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Warner Brothers has been really smart in the fact that

274
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they haven't gotten completely in bed with just one attractions company.

275
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But literally everybody has an interest in this.

276
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Yeah, not just the news people like like like all

277
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the political people are interested because of the news section,

278
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but all the theme parks and all the other companies

279
00:14:30.480 --> 00:14:33.600
are interested because of the of of their ties with everybody.

280
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Well, and I think that and I think that, you know,

281
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the reason Heather Cox Richardson put this out there is

282
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it is sort of suggesting that there.

283
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Is an attempt to create a state news agency.

284
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Yeah, and or they a state apparently.

285
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Or state funded news agency.

286
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Apparently the Ellisons did actually say that. They did say

287
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when they met with the White House of they did

288
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say that they would be changing the direction of CNN

289
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to be more in line with the president's wishes, like

290
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they did.

291
00:15:05.759 --> 00:15:09.039
Actually, yeah, so so another yet another Fox News.

292
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So but also I guess for me, like personally, I'm

293
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just kind of like, I understand cable cable news is

294
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important and all that kind of stuff, but I don't know,

295
00:15:18.159 --> 00:15:21.159
but I I just to me, I mean, obviously I'm

296
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the theme park person, so I care more about the

297
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theme park.

298
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I was going to say the same thing.

299
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I think that you know that that battle, that battle

300
00:15:28.440 --> 00:15:30.120
is going to go on and is really outside of

301
00:15:30.159 --> 00:15:34.120
the scope of this particular show. So that's right, And

302
00:15:34.120 --> 00:15:36.960
and you know there is a possibility that you know, say,

303
00:15:37.039 --> 00:15:40.559
say Netflix does go ahead and gets the whole all

304
00:15:40.600 --> 00:15:42.840
the papers are signed and everything goes through, and the

305
00:15:42.840 --> 00:15:44.840
only way that they can convince the government to allow

306
00:15:44.879 --> 00:15:48.840
them to do it is by selling off CNN. So

307
00:15:49.159 --> 00:15:51.519
you know, if that's the if that's the sacrificial lamb

308
00:15:51.600 --> 00:15:54.039
that goes off to Ellison, then great, that's that's the way.

309
00:15:54.279 --> 00:15:56.600
That's sort of personally, that's what I'm rooting for. That

310
00:15:56.679 --> 00:15:58.759
exact scenario is what I'm rooting for, because I do

311
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think that I understand all of the concerns about pricing

312
00:16:03.320 --> 00:16:08.120
and competitiveness and streaming consolidation and all that. I understand

313
00:16:08.120 --> 00:16:11.559
those concerns. I think that they probably would I think

314
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I don't think Netflix would want at all to touch

315
00:16:13.840 --> 00:16:16.000
stand in So I think if the compromises get rid

316
00:16:16.039 --> 00:16:17.919
of all the cable when they take streaming, I think

317
00:16:17.960 --> 00:16:21.159
it would ultimately be better for themed entertainment. I know

318
00:16:21.200 --> 00:16:23.320
people are gonna at me in the comments because everyone's

319
00:16:23.399 --> 00:16:26.639
even when I was saying this at like talking to

320
00:16:26.679 --> 00:16:29.039
people offline about this, people were like, I can't believe

321
00:16:29.519 --> 00:16:33.200
that you're for consolidation. Here's the thing, Like, I don't

322
00:16:33.240 --> 00:16:36.200
think that Warner Brothers is not doing well, Paramount is

323
00:16:36.200 --> 00:16:39.440
not doing well. It's really just now become something that

324
00:16:40.440 --> 00:16:44.320
is being funded by money. Like basically you know, a

325
00:16:44.320 --> 00:16:46.320
good company needs a good operator, and I think the

326
00:16:46.360 --> 00:16:49.440
Netflix operating team has shown has proven it's just like

327
00:16:49.559 --> 00:16:51.919
with Eiger or you know, previously the Disney stuff. Like

328
00:16:52.519 --> 00:16:55.200
you know, good operators make or break companies. As we know,

329
00:16:55.240 --> 00:16:58.159
look at the Six Flags nonsense, right, And And like

330
00:16:59.000 --> 00:17:01.159
I think Netflix knows it entertainment. That's like the one

331
00:17:01.159 --> 00:17:02.919
thing they know, and they know how to how to

332
00:17:03.000 --> 00:17:05.880
innovate and keep going. And I think they're actually interested

333
00:17:05.880 --> 00:17:09.720
in themed entertainment, which I think for us is beneficial

334
00:17:09.759 --> 00:17:12.000
because it means jobs for us, Like I know it, and.

335
00:17:11.960 --> 00:17:13.960
They have deep pockets so they can continue to fund it.

336
00:17:14.400 --> 00:17:16.799
That's not only just fund it by throwing money at it,

337
00:17:16.880 --> 00:17:23.359
but also it's a situation where they can fund it

338
00:17:23.440 --> 00:17:26.720
not only with money, but also with support also you know,

339
00:17:27.640 --> 00:17:28.960
as you say, good operators.

340
00:17:29.319 --> 00:17:30.759
So it's right, and.

341
00:17:32.279 --> 00:17:35.799
It's it's a I know so many people that worked

342
00:17:35.799 --> 00:17:38.480
on the Netflix house Dallas, so many companies that we

343
00:17:38.519 --> 00:17:40.480
all know that worked on them. And I think that

344
00:17:40.480 --> 00:17:42.880
that kind of like you're saying that that kind of

345
00:17:43.039 --> 00:17:45.920
investment I think would be important for us.

346
00:17:46.519 --> 00:17:48.359
But also.

347
00:17:50.279 --> 00:17:52.720
I don't know, I mean, just me personally, I'm sure

348
00:17:52.720 --> 00:17:54.640
this is probably wrong. People are going to correct me

349
00:17:54.680 --> 00:17:56.880
in the comments, but I kind of like, didn't it

350
00:17:57.000 --> 00:17:59.519
used to be a monopoly because it used to be

351
00:17:59.599 --> 00:18:02.400
all cable. You had to buy a cable package and

352
00:18:02.599 --> 00:18:05.000
we paid a crazy amount for cable, like when I

353
00:18:05.079 --> 00:18:08.960
was growing up, and now then then everything unbundled and

354
00:18:08.960 --> 00:18:12.240
now things are just rebundling. And also all the people,

355
00:18:12.480 --> 00:18:14.559
especially where I live, are like, oh, this is a

356
00:18:14.599 --> 00:18:16.359
death of Hollywood and blah blah blah, and I was like, well,

357
00:18:16.440 --> 00:18:19.440
cable kind of built Hollywood, and the reason that it's

358
00:18:19.440 --> 00:18:21.640
not working now, the reason we're all gout of jobs

359
00:18:21.680 --> 00:18:25.599
now is because everything is so distributed that like there's

360
00:18:25.640 --> 00:18:29.079
not enough of funding and anyone like everything's too distributed, right,

361
00:18:29.079 --> 00:18:33.799
nobody has leverage. And then I also do think like

362
00:18:33.839 --> 00:18:36.680
the argument that that Netflix attorneys or Netflix people have

363
00:18:36.720 --> 00:18:40.160
been saying is that it's not actually market consolidation because

364
00:18:41.279 --> 00:18:44.480
streaming it's not about the like paid subscription streaming. It's

365
00:18:44.480 --> 00:18:47.920
about streaming large and still the biggest the biggest person

366
00:18:48.000 --> 00:18:50.200
is YouTube. That's where most people are spending their time

367
00:18:50.519 --> 00:18:52.440
and YouTube and TikTok, and so if you look at

368
00:18:52.440 --> 00:18:54.480
it in that context, they would only have like eight

369
00:18:54.559 --> 00:18:57.680
percent of the market or whatever. So, like, I think

370
00:18:57.839 --> 00:18:59.680
I don't one hundred percent agree with that argument. But

371
00:18:59.680 --> 00:19:03.279
I see, especially as someone who like is a content creator,

372
00:19:03.640 --> 00:19:06.839
I see that, like, especially with the younger generation, they

373
00:19:06.920 --> 00:19:10.119
spend way more time watching YouTube than they do watching

374
00:19:10.240 --> 00:19:13.160
like anything that they're gonna pay for. So I do,

375
00:19:14.640 --> 00:19:16.240
I do see all these arguments.

376
00:19:15.839 --> 00:19:17.920
But I don't know well and and you know, going

377
00:19:17.920 --> 00:19:20.279
back to your you're wasn't it a monopoly before? I

378
00:19:20.279 --> 00:19:21.680
think part of the way, part of the way they

379
00:19:21.680 --> 00:19:25.000
got around that was they had different different cable operators

380
00:19:25.000 --> 00:19:27.599
that handled things, different things regionally, so it wasn't an

381
00:19:27.759 --> 00:19:32.240
it wasn't a federal monopoly. If you were in uh,

382
00:19:32.640 --> 00:19:35.039
if you were in Florida, it was you know, I

383
00:19:35.079 --> 00:19:37.680
don't know, Spectrum or whatever. And then if you were

384
00:19:37.759 --> 00:19:40.400
up in up in the Midwest there was Cox Cable,

385
00:19:40.440 --> 00:19:42.559
there was you know, different different cable companies. I think

386
00:19:42.559 --> 00:19:45.880
that's how they got around that monopoly thing. But yeah,

387
00:19:45.960 --> 00:19:50.000
I I agree with you for the sake of this show.

388
00:19:50.039 --> 00:19:51.960
I mean, yes, I have my own my own personal

389
00:19:52.039 --> 00:19:56.039
views on on the trying to to control all the

390
00:19:56.079 --> 00:19:58.799
news media. That's that's a that's a greater issue that

391
00:19:58.920 --> 00:20:01.319
we're not going to talk about on this show, but

392
00:20:01.720 --> 00:20:06.839
the the idea of this going to the right hands

393
00:20:06.920 --> 00:20:09.759
that's going to keep everybody in the theme park industry,

394
00:20:09.759 --> 00:20:12.039
because let's face it, if it went to Comcast, it

395
00:20:12.119 --> 00:20:16.799
is quite possible that Six Flags and uh and even

396
00:20:16.880 --> 00:20:19.720
you know Morale who runs WB in in Abu Dhabi,

397
00:20:20.920 --> 00:20:23.880
would all of a sudden be bent over a barrel

398
00:20:23.920 --> 00:20:24.480
because they.

399
00:20:24.400 --> 00:20:26.880
Did you know, Contcast would want to want to control

400
00:20:26.920 --> 00:20:27.200
it all.

401
00:20:27.880 --> 00:20:31.799
I'm sure there are I'm sure there are clauses in

402
00:20:31.839 --> 00:20:36.319
the contracts because i mean, let's face it, even well

403
00:20:36.920 --> 00:20:41.599
Warner Brothers World has a huge investment in physical assets

404
00:20:41.960 --> 00:20:44.599
and are in the process of expanding right now in

405
00:20:44.640 --> 00:20:46.319
the in the Potter franchise.

406
00:20:46.160 --> 00:20:46.319
So.

407
00:20:48.000 --> 00:20:51.880
There it's that there's got to be some.

408
00:20:51.759 --> 00:20:55.240
Sort of of of caveat there to protect them. But

409
00:20:55.319 --> 00:20:58.319
I'm not sure how powerful that could be if all

410
00:20:58.359 --> 00:21:01.640
of a sudden Comcasts said Okay, yeah, we're we're we're

411
00:21:01.640 --> 00:21:06.240
gonna shut you down. Netflix is less likely to do

412
00:21:06.279 --> 00:21:08.839
that with any of the with any of the theme parks,

413
00:21:09.079 --> 00:21:12.319
because again, it sounds to me, and I could be wrong,

414
00:21:12.359 --> 00:21:15.119
but it sounds to me like they are looking at

415
00:21:16.279 --> 00:21:20.599
the ability to continue to allow Netflix to allow WB

416
00:21:20.720 --> 00:21:22.759
to operate the way they're operating, which is to kind

417
00:21:22.759 --> 00:21:25.400
of have fingers in all kinds of pies, and they'll

418
00:21:25.680 --> 00:21:31.559
just add their slice to the attraction's realm, and the

419
00:21:31.839 --> 00:21:34.200
Netflix houses will then again have all these new ips

420
00:21:34.200 --> 00:21:34.640
to play with.

421
00:21:35.319 --> 00:21:39.039
I do think to everything you're saying, I think that

422
00:21:39.839 --> 00:21:45.160
it this does put comcasts over all in a worse position,

423
00:21:45.519 --> 00:21:46.720
is what I was thinking.

424
00:21:48.279 --> 00:21:49.519
Just because.

425
00:21:52.200 --> 00:21:54.079
Yeah, just just because of all that, but because like,

426
00:21:55.400 --> 00:21:56.839
no matter how you slice it, this is gonna take

427
00:21:56.880 --> 00:21:59.400
a long time, you know, like the the Disney Wanter

428
00:21:59.519 --> 00:22:02.160
all the ones. Obviously they take usually fifteen months plus

429
00:22:02.200 --> 00:22:06.000
even if things go well, And so we're talking like

430
00:22:06.119 --> 00:22:09.319
two years where this kind of pool has been frozen.

431
00:22:09.680 --> 00:22:12.039
I think I think for me, what I'm thinking is

432
00:22:12.079 --> 00:22:17.200
like Universal is so dependent on Potter as their big

433
00:22:17.319 --> 00:22:18.279
like flagship thing.

434
00:22:19.319 --> 00:22:23.400
Yeah, it's a huge piggy Universal Park, and where most

435
00:22:23.440 --> 00:22:24.640
of their money is made is Potter.

436
00:22:25.279 --> 00:22:25.720
That's right.

437
00:22:25.759 --> 00:22:28.279
And I think that that almost in this scenario almost

438
00:22:28.279 --> 00:22:31.640
turns into a liability no matter what, because if this

439
00:22:31.759 --> 00:22:36.000
is frozen for two years, that leaves like markets don't

440
00:22:36.039 --> 00:22:39.160
like uncertainty, businesses don't like it. Nobody likes uncertainty. And

441
00:22:39.240 --> 00:22:41.680
if you have this uncertainty element where the biggest part

442
00:22:41.680 --> 00:22:44.920
of all of your best performing part of your portfolio

443
00:22:45.240 --> 00:22:47.160
is frozen because they don't know who's going to be

444
00:22:47.240 --> 00:22:49.480
the new owner. That's even if they have a ten

445
00:22:49.559 --> 00:22:52.759
year agreement with them. That uncertainty I think is not good.

446
00:22:52.799 --> 00:22:57.640
I also think that just having experienced Netflix House, it's

447
00:22:57.680 --> 00:23:01.240
a better model than Horror Unleashed. And arguably they could

448
00:23:01.279 --> 00:23:03.839
do the same thing as Horrorunleashed, but just better because

449
00:23:03.880 --> 00:23:06.559
it's a better model because they can rotate it and

450
00:23:06.640 --> 00:23:10.119
they have better ips. Universal doesn't have any ips, Like,

451
00:23:10.240 --> 00:23:13.000
they don't have anything that people want. Warner Brothers has

452
00:23:13.039 --> 00:23:14.440
a bunch of stuff, as we just talked about, but

453
00:23:14.519 --> 00:23:17.480
Netflix also has stuff, So, like, I think that's the

454
00:23:17.559 --> 00:23:21.079
other problem here is, like we've been saying acknowledging about

455
00:23:21.119 --> 00:23:25.359
how Comcast is trying to expand their themed entertainment and

456
00:23:25.440 --> 00:23:28.319
experience this division, because that's that's where they need to

457
00:23:28.359 --> 00:23:31.640
jump over to. But if suddenly Netflix is now like

458
00:23:31.720 --> 00:23:35.119
outflanking them from two sides, Like one side is that

459
00:23:35.359 --> 00:23:39.960
they're potentially causing disruption with the main part of their

460
00:23:40.000 --> 00:23:42.519
parks that's already been built. But the other side is

461
00:23:42.960 --> 00:23:46.400
they start expanding their Netflix houses faster, then they can

462
00:23:46.440 --> 00:23:49.240
build their whole unleashed things. That means they're going to

463
00:23:49.279 --> 00:23:51.680
outflank them and all those markets. Like if they're going

464
00:23:51.720 --> 00:23:54.680
to Vegas next year, now they're going to be in

465
00:23:54.720 --> 00:23:57.839
the same market and potentially competing with them on that.

466
00:23:58.240 --> 00:24:01.119
So like they're taking they would be potentially taking checks

467
00:24:01.119 --> 00:24:05.319
from them and maybe raising the prices for Harry Potter

468
00:24:05.519 --> 00:24:08.079
and then using that money to put it into places

469
00:24:08.119 --> 00:24:11.359
to outcompete them on the on their other models. So like,

470
00:24:11.880 --> 00:24:14.480
I think the biggest loser from all this is actually

471
00:24:14.559 --> 00:24:17.640
Comcasts come and I understand that they don't have a

472
00:24:18.160 --> 00:24:20.599
When I was talking to the people at at LDI like,

473
00:24:21.680 --> 00:24:24.759
I just want to put in perspective, like the reason

474
00:24:24.839 --> 00:24:27.319
that Comcasts couldn't bid on this is because they can't

475
00:24:27.319 --> 00:24:31.920
afford it. That's the reason, because Comcast is one fourth

476
00:24:32.079 --> 00:24:36.359
the size of Netflix. So like they did, they literally

477
00:24:36.440 --> 00:24:39.599
do not have that they just can't. And then if

478
00:24:39.599 --> 00:24:41.759
you're in the middle of a bidding war, there's also

479
00:24:43.400 --> 00:24:45.759
it also becomes to come into plays like are you

480
00:24:45.839 --> 00:24:48.279
paying too much then for these assets? Is then what

481
00:24:48.400 --> 00:24:51.920
it comes into so like especially for like Comcasts, who

482
00:24:51.920 --> 00:24:53.839
doesn't have money, like if they were going to if

483
00:24:53.880 --> 00:24:56.119
they paid say they paid one hundred billion, or they

484
00:24:56.400 --> 00:24:58.079
pay like the entire worth of their company, like one

485
00:24:58.119 --> 00:25:01.759
hundred billion, So it basically is like a merger then

486
00:25:01.920 --> 00:25:04.599
to get these assets, where's then the money to build

487
00:25:04.640 --> 00:25:07.559
out the stuff to even get money from them? So

488
00:25:07.599 --> 00:25:10.200
like at least Netflix has the houses, they have these

489
00:25:10.240 --> 00:25:14.119
things where they can immediately monetize these ips like immediately.

490
00:25:14.640 --> 00:25:19.240
And the interesting thing is, I am sure that the

491
00:25:19.279 --> 00:25:25.079
contracts for things like the Universal installations are all very

492
00:25:25.160 --> 00:25:28.960
specific to you have the in the United States, you

493
00:25:29.000 --> 00:25:32.079
can build this in a permanent theme park. But that

494
00:25:32.119 --> 00:25:36.000
doesn't preclude us from taking these same ips obviously and

495
00:25:36.039 --> 00:25:42.799
doing them as touring experiences, studio studio tours in other parts,

496
00:25:43.119 --> 00:25:45.880
you know, investing in parks and other parts of the world,

497
00:25:46.000 --> 00:25:49.440
because you know, w B. Warner Brothers World is going

498
00:25:49.480 --> 00:25:53.799
to have a Harry Potter realm, an indoor Harry Potter realm.

499
00:25:54.240 --> 00:25:57.000
That is from what I have heard because I have

500
00:25:57.039 --> 00:25:59.640
a few friends working on the project. It's going to

501
00:25:59.680 --> 00:26:03.200
be pretty impressive. It'll be awfully cool. Now you have

502
00:26:03.200 --> 00:26:04.279
to go to the other side of the world to

503
00:26:04.279 --> 00:26:07.960
experience it. But again, I think what I'm seeing and

504
00:26:08.000 --> 00:26:09.799
I'm kind of reading between the lines here, but what

505
00:26:09.839 --> 00:26:17.559
I'm seeing is with the Netflix, with the Netflix purchase, hopefully,

506
00:26:19.319 --> 00:26:21.079
what it's going to do is this is not just

507
00:26:21.960 --> 00:26:26.000
an American centric decision. This is a global decision. And

508
00:26:26.039 --> 00:26:28.519
this is a decision that you know, they can continue

509
00:26:28.519 --> 00:26:32.759
to generate revenue from the six Flags in Saudi Arabia,

510
00:26:33.160 --> 00:26:37.880
Warner Brothers World in Abu Dhabi, the studio tours in London,

511
00:26:37.880 --> 00:26:42.720
which is, as Philip said, a huge installation, and then51200:26:43.240 --> 00:26:46.279



not only that, but also continue to get the money51300:26:46.279 --> 00:26:50.759



from the tours and have access to and in essence51400:26:50.759 --> 00:26:57.079



writing them selves checks for any sort of WB inclusion51500:26:57.279 --> 00:26:59.000



in any of the Netflix houses.51600:26:59.440 --> 00:27:02.599



And those probably also, like you said, like if they51700:27:02.599 --> 00:27:05.920



put a Netflix house onto to buy them all perfect Yeah,51800:27:05.960 --> 00:27:09.160



Like I mean all those all the expansion opportunity to51900:27:09.200 --> 00:27:11.240



be able to do like a Game of Thrones experience,52000:27:11.279 --> 00:27:12.680



and the do buy them all, I mean, like, oh52100:27:12.720 --> 00:27:15.160



my god, like and they already have the experience. So52200:27:15.200 --> 00:27:17.920



I think I think for all of us in the52300:27:17.920 --> 00:27:20.599



theme park world, this is why it's more exciting with this,52400:27:21.160 --> 00:27:25.480



with this vein, and on the pricing, I don't know.52500:27:25.599 --> 00:27:29.839



Like I got some research here that Professor Galloway put52600:27:29.839 --> 00:27:32.559



out that he says the average subscription price for the52700:27:32.559 --> 00:27:35.160



top ten US platform sas versan twelve percent this year,52800:27:35.400 --> 00:27:38.880



far out pacing inflation following double digit increases in twenty52900:27:38.920 --> 00:27:42.000



twenty two. US households spend on average seventy dollars a53000:27:42.000 --> 00:27:45.039



month on streaming services, a significant sum for people whose53100:27:45.039 --> 00:27:47.799



grocery bills have climbed thirty percent over the past five years.53200:27:47.960 --> 00:27:50.359



If Netflix wins, the most critical question will be whether53300:27:50.400 --> 00:27:54.440



it's competing with premium streaming platforms or virtually all digital53400:27:54.480 --> 00:27:57.880



video content buying for attention. Netflix isn't nearly as dominant53500:27:57.920 --> 00:28:01.720



if you factor in YouTube and tiktoks. So like that's53600:28:01.759 --> 00:28:05.480



the argument. But like so I think for US theme53700:28:05.519 --> 00:28:08.000



park people, I think the Netflix thing makes more sense.53800:28:08.000 --> 00:28:10.200



It's more exciting for us because of the job opportunities53900:28:10.240 --> 00:28:12.880



and expansions and all that stuff. But I think there's54000:28:12.920 --> 00:28:16.759



kind of no denying it probably is going to raise54100:28:16.759 --> 00:28:20.440



stream prices that have already been going up, as Galloway54200:28:20.480 --> 00:28:26.799



has cited here, And I don't know I guess we54300:28:26.880 --> 00:28:28.880



just have to accept these two things.54400:28:28.519 --> 00:28:29.359



I guess. I guess.54500:28:29.359 --> 00:28:32.000



My point though, is, yes, it could. It could raise54600:28:32.000 --> 00:28:35.279



streaming prices. Yes, However, it's going to get to a54700:28:35.279 --> 00:28:37.599



point where people either aren't going to be able to54800:28:37.759 --> 00:28:39.559



or are going to choose not to pay it, and54900:28:39.759 --> 00:28:44.279



they will rely solely on YouTube, TikTok et cetera. So55000:28:44.640 --> 00:28:49.160



you know, there's there are there are long term planning55100:28:49.160 --> 00:28:51.240



people who are looking at that. I know that, I55200:28:51.279 --> 00:28:54.799



know that for a fact, and recognizing that, you know,55300:28:54.839 --> 00:29:00.039



the the free media content is something that is a55400:29:00.119 --> 00:29:03.279



huge competitor because you know, just like just like us,55500:29:03.319 --> 00:29:06.759



you know, we keep talking about subscribing to us on55600:29:06.799 --> 00:29:10.720



YouTube so that we can become monetized and we're you know,55700:29:10.759 --> 00:29:12.720



struggling with that too, but we still want you to55800:29:12.759 --> 00:29:17.480



do it. So you know, it's it's interesting, It's it's55900:29:17.519 --> 00:29:20.880



not the old game. It's a new game, and it's56000:29:20.880 --> 00:29:21.759



going to continue.56100:29:21.480 --> 00:29:22.160



To be a new game.56200:29:22.279 --> 00:29:24.480



But I will say that I have a couple of56300:29:24.480 --> 00:29:29.440



friends who do work for Warner Brothers, and without telling56400:29:29.480 --> 00:29:31.359



tales out of school, I will say that they will56500:29:31.359 --> 00:29:37.720



not be upset about this particular situation. So we will56600:29:37.720 --> 00:29:40.519



see where it goes. We will keep tracking it, but56700:29:40.599 --> 00:29:43.240



we won't keep tracking it in this show because we56800:29:43.440 --> 00:29:46.000



are out of time. So once again, yes I did56900:29:46.000 --> 00:29:48.640



put my plug in. Please, if you're watching us on57000:29:48.640 --> 00:29:52.759



on YouTube, please subscribe so that we can continue to maintain.57100:29:53.039 --> 00:29:58.200



Please continue to have great discussions with fellow listeners because57200:29:58.200 --> 00:30:01.039



we really appreciate all of that, and and that's again57300:30:01.079 --> 00:30:04.839



why we're here and just keep enjoying the shows because57400:30:04.839 --> 00:30:06.279



that's you know, let us know how we can be better,57500:30:06.319 --> 00:30:09.119



because that's we're doing this for you. Because it takes57600:30:09.160 --> 00:30:11.559



time out of our day, I'll be honest, but we57700:30:11.640 --> 00:30:13.359



love doing it. We love doing it, so on behalf57800:30:13.359 --> 00:30:15.359



of Philip and myself Scott Swinson. This is a green57900:30:15.359 --> 00:30:17.559



Tag theme park in thirty and we will see you58000:30:17.559 --> 00:30:18.039



next week

Scott Swenson, ICAE Profile Photo

Scott Swenson, ICAE

For over 30 years, Scott Swenson has been bringing stories to life as a writer, director, producer, and performer. His work in theme parks, consumer events, live theatre, and television has given him a broad spectrum of experiences. In 2014, after 21 years with SeaWorld Parks and Entertainment, Scott formed Scott Swenson Creative Development. Since then he has been providing impactful experiences for clients around the world. Whether he is installing shows on cruise ships or creating seasonal festivals for theme parks, writing educational presentations for zoos and museums or training the next generation of attractions professionals, Scott is always finding new ways to tell stories that engage, educate and entertain.

Philip Hernandez, ICAE Profile Photo

Philip Hernandez, ICAE

CEO of Gantom, Publisher of Haunted Attraction Network

Philip is a journalist reporting on the Haunted House Industry, Horror events, Theme Parks, and Halloween. He is also the CEO of Gantom Lighting and Founder / Publisher of the Haunted Attraction Network, the haunted attraction industry's most prominent news media source. He is based in Los Angeles.