Jan. 25, 2026

Doubling Down: Six Flags Expands Grad Nights & Disney Pivots Galaxy’s Edge

Six Flags is expanding Grad Nite in 2026, adding Knott’s Berry Farm and Carowinds to a program the company has relied on for years; Meanwhile, Disney is poviting the story of Galaxy's Edge.

Six Flags is expanding Grad Nite in 2026, adding Knott’s Berry Farm and Carowinds to a program the company has relied on for years. These closed-park events are built around a highly invested audience—graduating students—offering predictable attendance, controlled environments, and a clear value proposition for schools looking for local, cost-effective celebrations. We discuss why this expansion makes sense now, as parks prioritize experiences with reliable demand and lower operational volatility.

Meanwhile, Disney is reversing course on one of the boldest creative choices it made when designing Star Wars: Galaxy's Edge. Starting April 29, Disneyland will bring Darth Vader, Luke Skywalker, Princess Leia, and Han Solo to Black Spire Outpost—characters that have been deliberately absent since the land opened in 2019 because they didn't fit the sequel trilogy timeline.

Taken together, these moves point to a shared strategy: investing more deeply in what already works. Whether it’s expanding a proven private-event model or refining the use of an existing flagship land, both companies are choosing to double down on known audiences and assets rather than chase entirely new concepts. In a higher-cost, higher-risk environment, that kind of focus may be one of the most practical paths forward.

Listen to weekly BONUS episodes on our Patreon.

 

Universal's Spring Hard Ticket Test: Take 2

Universal is doubling down on core fans for second Fan Fest Nights

Universal Fan Fest Nights continues to function as an experiment in building the spring hard-ticket event that theme park operators have chased for decades, and the lineup for the 2026 edition shows Universal doubling down on core fans.

The separately ticketed nighttime experience runs 12 select nights from April 23 through May 16, 2026, and serves as a springtime version of Halloween Horror Nights—offering immersive walk-through experiences, themed shows, and IP activations across the park.

The 2026 lineup introduces four new experiences: Scooby-Doo Meets The Universal Monsters: Mystery on the Backlot (replacing last year's Back to the Future backlot experience), ONE PIECE: Grand Pirate Show (a full-scale live show at the WaterWorld venue, upgrading from last year's character meet-and-greet), a Forbidden Forest walk-through in The Wizarding World of Harry Potter, and a Colorful Yoshi Celebration in SUPER NINTENDO WORLD. Dungeons & Dragons: Secrets of Waterdeep returns ‘by popular demand.’

Watch: my coverage of the 2025 Universal Fan Fest Nights.

 

Doubling Down on What Works

The event's return for a second year suggests the format itself is viable, even as it continues to be refined. While Fan Fest Nights is not operating at the scale of Halloween Horror Nights, its structure, pricing, and IP-driven approach clearly mirror that playbook. If Universal can continue to sharpen the offering and grow attendance, the upside is significant.

The 2026 lineup suggests a shift toward concentrating on Universal's core fandoms. Universal Monsters, The Wizarding World of Harry Potter, and SUPER NINTENDO WORLD now anchor the event, with a smaller but deliberate emphasis on new audiences through ONE PIECE.

ONE PIECE was consistently one of the most popular offerings at last year's event and remains a strong draw from a general audience perspective. Expanding it from a character meet-and-greet into a full-scale live show is a logical step, particularly given that the production is being adapted from Universal Studios Japan. Leveraging an existing show reduces creative and development costs while allowing Universal to scale the experience in Hollywood.

Monster-based horror continues to expand across Universal's slate, from Fan Fest Nights to Universal Horror Unleashed in Las Vegas and Dark Universe at Epic Universe in Orlando. With Scooby-Doo Meets the Universal Monsters now occupying the backlot centerpiece of Fan Fest Nights, the Monsters brand is being positioned as a flexible, cross-season pillar rather than a Halloween-only asset.

If the original goal of Fan Fest Nights was to aggressively break into new fandoms, the 2026 lineup suggests a recalibration. Outside of ONE PIECE and D&D, the event now reads largely as an extension of Universal's existing ecosystem; roughly 60% of the immersive experiences are core Universal fandoms (fandoms which Universal is known for across its properties). Rather than spreading investment across multiple unproven fandoms, Universal appears to be prioritizing depth over breadth, focusing on known demand while selectively layering in communities such as anime and cosplay where crossover potential already exists.

Halloween Horror Nights has grown into the largest Halloween experience worldwide and accounts for a significant portion of Universal's revenue. You could argue that Halloween Horror Nights and its success have inspired the rest of the theme park community to expand more into Halloween.

If you follow that argument, then Universal's 2026 adjustments suggest that Fan Fest Nights could spark a new renaissance in spring hard-ticket events industry-wide. If you focus on what you already do well, with a little bit of experimentation mixed in.

Disney Pivots Strategy at Galaxy's Edge

Disney is reversing course on one of the boldest creative choices it made when designing Star Wars: Galaxy's Edge. Starting April 29, Disneyland will bring Darth Vader, Luke Skywalker, Princess Leia, and Han Solo to Black Spire Outpost—characters that have been deliberately absent since the land opened in 2019 because they didn't fit the sequel trilogy timeline.

As Theme Park Insider's Robert Niles reports, "Disney is giving up on its original concept for its Star Wars land," shifting away from the sequel trilogy-exclusive timeline that placed the land squarely in the Age of the Resistance and First Order.

When Galaxy's Edge debuted, Disney made a deliberate choice: rather than recreating Tatooine, Hoth, or any planet guests had seen on screen, they created Batuu—a new location mentioned in Star Wars supplementary materials but never featured in films or series. The strategy was to let guests step into a new, uncharted story rather than revisit familiar worlds.

Now, seven years later, Disney is bringing the most iconic characters in Star Wars history to that original location. The change divides Galaxy's Edge into three timeline zones: the original trilogy's Galactic Civil War in Black Spire Outpost proper, the Mandalorian era in the marketplace (with Mando, Grogu, and Ahsoka Tano), and the sequel trilogy timeline holding at the Resistance camp where Rey will continue greeting guests near Rise of the Resistance.

Watch: Scott and I discuss Disney’s pivot on this week's show.

The Problem With Batuu

When Galaxy's Edge opened, Disney positioned Batuu as an original setting, where Disney could tell new stories and avoid being locked into specific film timelines. The land could evolve with new content, theoretically future-proofing the investment.

But, as Scott pointed out this week’s show, there's a fundamental issue with that approach; If you ask anyone who they want to meet at a Star Wars-themed land, the answer isn't going to be the residents of Batuu. The post-Darth Vader films have been successful, but the characters haven't achieved iconic status. Two generations have now seen films featuring the original trilogy characters or referencing them directly. That's where the emotional connection lives.

Galaxy's Edge compounded the problem by offering few clear markers to signal where guests were in the timeline. Compare that to Universal's approach with the Ministry of Magic experience, where environmental details immediately place you in a specific moment. Your brain gets triggered to understand, "Here we are. This is where we are in the story."

Disney created a location that doesn't really appear anywhere in the Star Wars mythology, then expected guests to invest in it as they would in Tatooine, Hoth, or Endor. That was always going to be an uphill battle.

What This Means

The lesson for operators isn't "never create original IP" or "always play it safe." It's about understanding what guests are actually paying for. They're not paying to visit a location from a story they've never experienced. They're paying to step into worlds they already love and meet characters they already know.

Universal understood this with Harry Potter. Disney understood it with Cars Land, with Pandora, with every successful themed land they've built. Galaxy's Edge was the experiment in whether you could skip that step—whether the Star Wars brand alone was strong enough to make guests care about an entirely new corner of the universe.

April 29 will mark the day Disney officially answers that question: No, it wasn't.

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Want the unfiltered version of these discussions? Join us on Green Tagged: Unhinged on Patreon, where we say what we really think about the industry’s biggest moves.

 

WEBVTT

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Hello from our studios in Los Angeles and Tampa. This

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is Green Tags Theme Park and thirty. I'm Philip from

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Ganta Mighty and Controls, and I'm joined by my co

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host Scott Swinson of Scott Swinson creat Development. On Green Tag,

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we look at the top news each week and explain

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why it matters to industry professionals. And this week we're

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gonna get just a little tiny bit of six Flags

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news because we've got to keep that in there. That's

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what the fans want, clearly. And then we have a

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little bit of other news on some changes at Disney

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is making to its story.

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Ah. So we're both tired, so hopefully.

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Hopefully I won't doze off during the show's yeah, that's

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I have my I have my cup of coffee here.

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I should be good, but fingers crossed that I don't

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dose off during the show.

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Well, I mean any more than usual, you know, yeah,

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especially when we're so I know Scott's favorite topic, six Flags.

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Yay, let's talk about six Flags some more here on

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Green six Flags tagged. That's what Steve park and six

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flags Actually Green tag six Flags in thirty is probably

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what the new name of the show should.

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So the only news this week. There wasn't really that

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any big news this week from six Flags. But before

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we get to the little news segment, I didn't want

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to address a comment that was put in last week's

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show by Jason Neville Neverless, and it basically he called

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out a comment he basically he said, I am doesn't

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own any parks. They operate parks at ERP owns what

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other parks is the ERP O and it's on their website.

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They took it off their website, but I was able

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to scrape some old data from it, so I wonder

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if there's a reason that they took it down. But

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Jason is correct in this, so I think last week

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I didn't make it clear like I didn't, I didn't

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make it clear enough like what I am, which is

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the innovative trash management, like what they are, who they are,

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all that, but they're an operator and then owners of

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the properties they operate is under ERP Properties and they're

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a huge real estate investment trust. They have a lot

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of stuff that's not just theme parks as well kind

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of all of the hospitality ecosystem that they have. So basically,

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I think it'd be more clear to say that in

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the model we were discussing last week, that the ERP

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would be putting up the money to buy the assets

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and then the IAM will be a long term lease

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to run the businesses. And that's why I am is

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the one that's doing the trademarks and doing all the

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branding and doing all that stuff to make it to

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make it look pretty, because they're the ones doing the

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lease and doing the management of it. But it's just

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the money is probably coming from the ERP properties. Again,

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this isn't confirmed. We're still in this the world of speculation.

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But I think this makes it a lot clearer because

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we were talking last week about the money and where

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all that's going to come from, and it's probably going

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to come from this big fund. And if you look

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at their portfolio, which I did browse the stuff that

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was still on there, you can see it's a it's

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a massive portfolio. So it's it's I think it it's

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valid that.

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They have the funds to be able to pull this off.

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Well.

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And it's also it's also that yeah, they they own

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and they own some parks. They do have a connection

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to six Flags already. That's our Yes, you know they

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there are some parks that are operated by six Flags

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that they actually own.

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Is that correct, Phillip. I want to make sure I'm

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stating that correctly.

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So there is all the stuff that we said in

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the discussion. This does not necessarily undermine it, but it

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does help clarify it.

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So thank you Jason.

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That was that was really helpful, and hopefully it will

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help sort of unmuddy or clear the water unmuddy. Well,

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there's a very convoluted way of saying clear the water.

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Hopefully it'll clear the water a little I'm tired. It'll

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clear the water a little bit and make it a

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little bit easier at least for us to understand. And

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you know, we'll see still see where we go because

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everything we said in the last episode still kind of

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holds true. But this just adds another another lens of clarity.

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So thank you very much, Jason. We really do appreciate it,

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as with all of our listeners. Whenever you comment, whenever

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you you know, call us out, whenever.

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You support us. This is the purpose of this is.

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Engagement, So we really enjoy the fact that you know,

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we hear from you and you share your thoughts and

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your deeper exploration of some of the topics that we

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talk about just to keep us all honest.

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So that's awesome.

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And the little news we got this week is that

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six Flags is expanding its grad Night and it's essentially

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adding k not Sperry Farm, and Krawins as places that

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will offer grad Night experiences.

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Now, these are.

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A little after hours events that feature dance parties, dining games,

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and more that create a unique experiences that are close

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to home and more cost effective than a destination graduation trip.

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Many success Parts have hosted successful grad Night events for

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more than a decade, which they said in their press

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release about this event, the only thing I thought was

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interesting about this is just again reframing the audience of

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six Flags.

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Right.

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We've talked a lot about how part of.

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The reason that they're in this like self fulfilling prophecy

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type of thing is that the audience that they're catering

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to is definitely I'm not gonna I mean, they're not

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low value, but they're just it's a it's a younger

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it's just like a haunt, right that has a young

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teen and tween audience, and that it brings with it

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stuff that you know, that's why they need the chaperone policy,

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and they have all of this you know, chaos, and

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I think if what they're saying is that they want

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to build more immersive areas and cater to a higher

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spend customer, like like a Disney, it's like doing events

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like the Ground, I think it's kind of the opposite

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direction to do stuff like this because you're, you know,

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this is catering to a lower price point and that

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kind of a thing, which again, you know, I don't know,

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but that's to me, it's a little bit of a mismatch.

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But maybe they're just not there, you know.

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I just when I think of this, I think of

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like looking at the two comparisons in the local markets. Right, so,

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now Knots is going to be offering this grad night thing,

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but then you have like Sweetheart Night and the Disney

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answer dark events, which are on average one hundred and

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fifty to one hundred and sixty five per person, you know,

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for this for the same type of event. It's like

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an after dark type of thing that's four or five

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hours and includes photo ops and whatever stuff they're adding in.

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And you just look at those two things, and we

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have been talking about this whole idea of like the

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Barbell thing or the vanishing middle right. And so I

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think it seems like this is them doubling down on

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the value minded consumer, which is exactly what they're when they

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say that, when they literally say that it's more cost effective,

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that they're they're making the value proposition right, which is like, well,

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that's kind of not really targeting than the that that

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other end.

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So maybe they're I don't know, I don't well, I can.

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Think of this. Yeah, I think you got to.

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I think you got to zoom out just to scoch

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because if you stay focused just on this event, I

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agree with you one hundred percent. However, if you back

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out just a little bit and recognize they already have

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this market, they own this market, they can they this

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is low hanging fruit for them, and so it is it.

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I would think it would be ill advised to completely

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turn your backs on the younger market, on the high

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school market, because again, six Flags kind of already has that,

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and if you're getting it's it's kind of a way

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to say, we're not turning our backs on our quote

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unquote beloved fans. We're not turning our back on our

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core market for the most completely. In fact, we're offering this.

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And the other thing too is when you do grad nights.

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Grad nights are actually easier to control because part of

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the reason people want to shift away from high school

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audiences is not only their spend is less, but quite

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often if they are left to their own devices, they

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also are significantly more destructive to the park. And I

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don't I'm not saying that high school kids are bad.

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I'm just saying that generally speaking, when you put in

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when you put in a group of high school students together,

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especially if you have rival high schools, you have the

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potential of some shenanigans going on. But in a grad

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night it is a controlled or more controlled environment. It

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is a usually has a chaperone policy that is even

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more strength than their daytime and in fact, for grad

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nights it used to be Now I can't speak for

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six Flags, but it used to be in many parks

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that you had to have one chaperone for x number

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of students, and those chaperones, at least of bush gardens,

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the chaperones actually had to register their contact information with

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the park, so if anything happened from their school, those

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chaperones would be contacted and they would be they would

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be dealt with immediately. So it is a more controlledronment

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than just doing things that high school kids like. And

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one of the things that that I know Bush Gardens

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explored a while back was not only high school graduation night,

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but junior high graduation night. And that was a little

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a little simpler to do because A it ended earlier

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because parents wouldn't want their kids out quite as late,

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and b it it was there was less There was

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less violence that happened in the parks during junior high graduation.

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So I don't think this is necessarily a bad move.

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I think you know they you can't just when you're

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changing your demographic. You have to kind of turn like

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an aircraft carrier, not like a speedboat. So you can't

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immediately turn your backs on them and say, nope, we're

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writing you guys off. What they're doing to me, it

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sounds like is they're they're offering this to an audience

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they know they have the ear of, they know they

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have control of, they know they will want to go

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to their to six flags parks to celebrate their graduation,

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so it might help fund further turns in the opposite direction.

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Plus you know in California you mentioned the Disney competitive

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nights like the Sweetheart's Knights or whatever they're called for

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Valentine's Day and whatever. I don't think six Flags is

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ready to do that, nor do I think they have

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an audience that's interested in it. Yet I think they

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have to shift that so, and I don't think they

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want to go directly up against a Disney property.

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Yep.

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So incorporating grad Night into not Spray Farm makes sense

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to me. Actually, I'm surprised they haven't been doing it

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all along. And you know, grad Night, I will say

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grad Night is kind of like printing money as long

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as you take into consideration your extra security needs and

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that you are able to offer a safe environment and

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a controlled environment where and especially if your core demographic

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is primarily high school students. So it doesn't I understand

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what you're saying, Philip, and I don't disagree with you that.

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On the surface, if you look just at this event,

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it seems like it's going against what they said they

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were going to do.

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However it's not. I think they're recognizing you can't. We

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can't do this like a light switch.

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We can't just all of a sudden say, oh, we're

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not going to pay any attention to the people who

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are already paying to come to our parks. That they

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have to continue to offer things that these guests will

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not will not be interested in, but they still have

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to have things that they will be interested in as

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well until such time as they can make a full

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transmission transition. I think what they're really going to do

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is right size their demographic. I think they're trying to

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find that balance between the younger roller coaster fans, I mean,

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the younger high school students, early college kids, and the

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adult side that can actually generate more revenue. But there's

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a lot more high school kids who are going to

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theme park, So they got to find that balance, and

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I think this is a step to do that.

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In a controlled way.

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Yeah.

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See, this is why I like doing the show, because

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I never thought about the concept of it being a

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more controlled environment.

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So it's actually allowing them to double.

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Down on an audience they're already invested in by expanding

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the events, but it's by doing it in a way

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where they do mitigate most of the downside. Like they're

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mitigating the downside, they're getting in a lot of cash,

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you know, in a chunk for it. They're kind of

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making sure that it's limited by arranging security and all that.

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So I didn't think of it that. Now that's a

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great insight. Cut jobs, and.

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I'm guessing thank you, And I'm guessing it's also I'm

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guessing it's also because these events don't normally allow you

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to use your season pass, so it's a way to

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get a whole nother admission because the kids who are

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going to be most interested in it are the ones

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who are already season pass holders too, not spray Farm,

256
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for example, And it's a way to get an additional

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boost a cash from them.

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Yep, yep, yep, yep.

259
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Okay, all right, so next, let's talk about what's going

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on over at Galaxy's Edge in Disneyland apparently. And so

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first I'm going to say that this I'm taking this

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story and some excerpts from Robert Niles at Theme Parkingsider,

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who I think broke the story for the most part,

264
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but he also did some excellent framing of this. I mean,

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as it's an excellent read, I'll put it in the

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in the show notes.

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This stuff is always really good.

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His stuff is so good.

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He's so good, really smart guy.

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So he starts off his piece by saying, Disney is

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giving up on its original concept for its Star Wars Land,

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which is a great lead because that's the essence of

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what's going on, and that's why I want to discuss

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it with Scott, because of Scott's background in storytelling specifically

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so so basically I'm just going to read from some

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excerpts here from Robert's piece. He says when Star Wars

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Galaxy Said debuted at Disneyland and then while Disney World's

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Disney Hollywood Studios in twenty nineteen, it represented a particular

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time and place in the Star Wars universe. Set on

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the planet of Batu, Galaxies Edge represented the First Order

281
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controlled Blackspire outpost with a Resistance camp on its outskirts.

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This placed the land timeline in the middle of the

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sequel trilogy, in the age of Resistance and First Order.

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That timeline meant that popular Star Wars characters from the

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original trilogy had no place in the Land, including Darth Vader,

286
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Han Solo, and the younger versions of Lu Skywalker and

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Princess Leah. Starting April twenty ninth, Disneyland Star Wars Galaxies

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Edge will expand its timeline, placing Blacksfire outposts within the

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original trilogy and the Galactic Civil War Darth Vader, lu Skywalker, Leya,

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and Han solo characters will roam the area, with Imperial

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Stormtroopers replacing the First Order Troopers who now walk in

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the area. Now here's where it gets complicated. So apparently

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the First Order cargo store, you know, all that stuff,

294
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is going to be rethmed, but the market place on

295
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the edge of Blackspire outposts is going to shift to

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the New republic Ish so that the Mandalorian and Grogu

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and Ahsoka people can still be in that area. And

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then another complication is that the sequel trilogy timeline will

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hold in the Resistance camp where Ray is and guess

300
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we'll see that. So it seems like they're going to

301
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morph it into being three different timelines. But Disland is

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my home park, and I know all the areas they're

303
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talking about, and I'm just in my mind, I'm like, yeah,

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but it's it's not like a clear delineation, you know,

305
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like it's pretty seamless, like when you're marketing, you're walking

306
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to the marketplace. There's not like a clear divisible line

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because it was meant to be one coherent land, right,

308
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So I think it's gonna be one of those things

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where you're walking like five feet and you've traveled thirty years,

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you know, or whatever it is.

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Three hundred years.

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Yeah, sure, any timeline. So Scott's the expert. I want

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to get Scott's take on this. My only counter point

314
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is to this is just that, you know, what, these

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characters are really popular. I was even thinking that when

316
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I met conventions and Darth Vader is still walking around

317
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and the classic storm troops are still walking around, and

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I'm like, you know, the same thing with the Black

319
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and Star Cruiser, right, like I think or start whatever

320
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it was called the Hotel the failed thing.

321
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So I think I'd said this before.

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But my take on it is that Disney made this

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thing like too immersive by making it too much of

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the guest responsibility to entertain themselves, which is really not

325
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what people want at a theme park. And then also

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they made it hard, like you can't just show up

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in cosplay like you can do a convention with your

328
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Darth Vader outfit or whatever, so you can't actually like

329
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do the story that they want you to do. And

330
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then they didn't do any of the things they said

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they were gonna do in the first place. There's not

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like shows, there's not any It's like here, you're in Batuo,

333
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make up your own story. And so I kind of

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I kind of feel like, I mean, I know, I

335
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sort of feel like this is gonna end up being

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more popular just because these characters are popular and people

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like to see them. And I think it's just I

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don't know, but Scott, you're the storytelling extpert.

339
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You tell me what.

340
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Yeah, So let me start by saying, as an artist,

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I find it very disappointingly doing this. As a theme

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park professional, I am not the least bit surprised. And

343
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the first handwriting on the wall was the Shadows of Memory,

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a Skywalker saga, which was the quote unquote end of

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Night spectacle that would take place at Galaxy's Edge, which

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was filled with all the characters that we knew. I

347
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think this is this is another example. A similar example

348
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to this is what happened with with.

349
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Was it Avatar?

350
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I think it was Avatar at Disney because the ride

351
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was actually designed to be about a movie that hadn't

352
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come out yet and then got delayed in another three

353
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or four years, and so they were attempting to create

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something that was going to give the new generation quote

355
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unquote the new generation of Star Wars characters a place

356
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to live or a place to visit, and they chose

357
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to do a neutral enough location. I think this was

358
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the mentality behind it.

359
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I don't know.

360
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I wasn't involved with the creation of this project in

361
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any way, shape or form, but they they tried to

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pick a place, or it sounds like they tried to

363
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pick a place it was neutral enough that anyone within

364
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a certain bandwidth of timeframe could actually appear. But it did,

365
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in either intentionally or unintentionally, make it very very difficult

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from a storytelling or a thematic standpoint, to have the

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classic characters. Bottom line from what I'm seeing is the

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new characters didn't hit the way the classic characters have hit.

369
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You know, even they thought that, or I'm assuming that

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their intention was to give the the younger fans a

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place to see their characters, not the characters that their

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dads or their grandparents went to see when they were kids.

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So it's it's.

374
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Interesting to me that, you know, I'm I'm all about

375
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trying to stick with a story, and I'm all about

376
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trying to follow a story, but if the story is

377
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not compelling enough, it doesn't have long lasting legs.

378
00:19:29.000 --> 00:19:29.200
You know.

379
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It's it's part of the reason that when you invest

380
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a huge amount of money into an attraction in a

381
00:19:39.000 --> 00:19:41.400
theme park that is based on a single film that

382
00:19:41.599 --> 00:19:44.559
isn't quite a classic yet, you're running a huge risk.

383
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And I think that's kind of what they've done here

384
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with Galaxy's Edge. And now they've realized their guests are

385
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telling them, we want Darth Vader, we want Han Solo,

386
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we you know, we want Princess Leah. But at the

387
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same time, the second tier, I think from my own

388
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personal my own personal opinion, the second tier of popular

389
00:20:03.799 --> 00:20:09.680
characters are Mandalorian and and Little Yoda. You know they

390
00:20:10.200 --> 00:20:13.319
so it, Yeah, Grogu, it's Little Yoda.

391
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Who are we kidding?

392
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But those so that's the second tier, and they have

393
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to find ways now because the films have kind of

394
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jumped around so much within the timeframe that you know,

395
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perhaps perhaps the answer would have been to create a

396
00:20:31.920 --> 00:20:35.319
loophole in time where you know, it's science fiction, you

397
00:20:35.319 --> 00:20:37.960
can do pretty much anything you want, but create a

398
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loophole in time where these characters can appear interact and

399
00:20:42.200 --> 00:20:46.519
then go back to their own, you know, timelines. I'm

400
00:20:46.559 --> 00:20:50.319
sure that the people who own all the Star Wars properties,

401
00:20:50.519 --> 00:20:53.680
you know, and the masters, the masters of the show

402
00:20:53.720 --> 00:20:58.000
book said no, you can't do that. But I think

403
00:20:58.039 --> 00:21:01.039
this is just a situation where the need to be

404
00:21:01.079 --> 00:21:03.319
able to see these characters, to be able to to

405
00:21:03.359 --> 00:21:07.279
your point, cause play these characters. More people will buy

406
00:21:07.319 --> 00:21:12.359
a Darth Vader T shirt than a you know, oh gosh,

407
00:21:12.440 --> 00:21:15.359
what's the what's the villain in the later films.

408
00:21:15.680 --> 00:21:18.359
That's the problem is that people don't even know, like.

409
00:21:18.799 --> 00:21:21.559
I don't, and I've seen the movies. I've seen all

410
00:21:21.559 --> 00:21:23.480
of them, enjoyed them.

411
00:21:24.480 --> 00:21:26.240
Yeah, they're not sticky.

412
00:21:26.319 --> 00:21:28.359
They didn't have the sticky they didn't have the sticky factor.

413
00:21:28.799 --> 00:21:33.960
And you know, you've got if I'm gonna if I'm

414
00:21:33.960 --> 00:21:36.839
going to go to a Star Wars experience, I'm not

415
00:21:36.880 --> 00:21:38.880
a huge Darth Vader fan, but I want to meet Chewy.

416
00:21:38.960 --> 00:21:40.799
I want to meet Chewbacca. I think that.

417
00:21:41.160 --> 00:21:46.480
Everybody still knows who Han Solo is, you know, because

418
00:21:46.480 --> 00:21:48.480
he came back as an old man, so you know,

419
00:21:49.559 --> 00:21:54.839
you've still got all of that going on. It's this

420
00:21:55.000 --> 00:22:00.160
is a situation where the reality had to supersede read

421
00:22:00.720 --> 00:22:04.200
the storytelling. There are times that as a creative you

422
00:22:04.279 --> 00:22:07.440
have to kill your darlings. There are times where the

423
00:22:07.480 --> 00:22:09.920
reality of the situation and the financial side of the

424
00:22:09.960 --> 00:22:14.160
situation will supersede the story. And I hate it when

425
00:22:14.160 --> 00:22:16.759
that happens, and I usually try to create a story

426
00:22:16.799 --> 00:22:19.839
that will encompass it all, kind of like my loophole

427
00:22:19.880 --> 00:22:29.599
in time suggestion. But I guess the real the real

428
00:22:29.680 --> 00:22:33.039
question is do the vast majority of people visiting this

429
00:22:33.200 --> 00:22:38.039
area understand that Mandalorian and Darth Vader are from different timelines?

430
00:22:38.400 --> 00:22:38.640
Yep?

431
00:22:39.480 --> 00:22:41.640
Do they even understand that?

432
00:22:41.640 --> 00:22:44.240
That's what I was The answer is no, that's what

433
00:22:44.279 --> 00:22:44.880
I was thinking.

434
00:22:45.319 --> 00:22:49.160
I literally was like, you know, to me, this is

435
00:22:49.160 --> 00:22:51.119
also very similar to what's going on with Universal right,

436
00:22:51.119 --> 00:22:54.160
where they have the Harry Potter, so much investment in

437
00:22:54.160 --> 00:22:58.119
Harry Potter and now it's spanning lots of different timelines,

438
00:22:58.160 --> 00:23:00.839
and you know, you have a.

439
00:23:00.400 --> 00:23:05.000
Epic universe, right. The Battle of the Ministry is time wocked.

440
00:23:05.400 --> 00:23:08.440
You know. Also, it's just it's the same messy.

441
00:23:08.160 --> 00:23:12.519
Sticky situations you're getting in with these really longgoing ips.

442
00:23:13.559 --> 00:23:16.960
But like I, yeah, I sort of I was like,

443
00:23:17.000 --> 00:23:19.680
I understand everything about the story, and I don't like disagree,

444
00:23:21.720 --> 00:23:24.319
but also I'm not sure.

445
00:23:24.119 --> 00:23:27.799
That most people really like care that much.

446
00:23:27.960 --> 00:23:29.920
I'm not even sure it's it's clear to most people

447
00:23:30.000 --> 00:23:32.680
now that they realize what timeline they're in, Like I

448
00:23:33.119 --> 00:23:35.960
because I think most people would be like they would

449
00:23:35.960 --> 00:23:38.160
know it if they were in the current timeline, as

450
00:23:38.200 --> 00:23:40.759
in like present day, like you know, as in we're

451
00:23:40.799 --> 00:23:43.480
in like wherever the last thing ended. I think that's

452
00:23:43.519 --> 00:23:46.440
what people would normally assume, but that's not what's actually happening.

453
00:23:46.720 --> 00:23:48.799
So I don't think that most people are really like

454
00:23:49.119 --> 00:23:53.119
aware that that it's even not in that timeline in

455
00:23:53.160 --> 00:23:55.279
the first part, and I think they just kind of

456
00:23:55.519 --> 00:23:57.640
want to hang out and see Star Wars stuff.

457
00:23:58.559 --> 00:24:00.839
Well, and you can make the comparison with what Universal

458
00:24:00.920 --> 00:24:06.519
did with the Potter franchise. The I think they handled

459
00:24:06.519 --> 00:24:11.400
it very well because if you're going to either Islands

460
00:24:11.559 --> 00:24:15.720
or Studios, those two, because they are connected by the

461
00:24:15.720 --> 00:24:19.079
Hogwarts express, those two are in the same timeline, They're

462
00:24:19.119 --> 00:24:22.160
in the same realm, the same world, and that world

463
00:24:22.200 --> 00:24:27.160
continues to have it, continues to be fresh, continues to

464
00:24:28.039 --> 00:24:30.680
bring in new audience members. I mean, they're they're in

465
00:24:30.720 --> 00:24:34.839
the process right now of releasing all of the books again,

466
00:24:35.559 --> 00:24:38.240
the audio books, but they're releasing them with full casts,

467
00:24:38.799 --> 00:24:41.440
so they're actually casting people. And I will say, Hugh

468
00:24:41.519 --> 00:24:44.880
Laurie is Dumbledore is really pretty cool. But the idea

469
00:24:45.000 --> 00:24:50.319
of it is they don't have to They know that

470
00:24:50.319 --> 00:24:51.960
that is that is cash money.

471
00:24:52.000 --> 00:24:54.119
They know that that is not going.

472
00:24:53.920 --> 00:24:56.880
To They're still gonna people are still going to wonder

473
00:24:56.880 --> 00:24:58.960
about green Goots because green Gots is mentioned pretty much

474
00:24:58.960 --> 00:25:02.200
every frickin' book. They're still gonna They're still gonna want

475
00:25:02.200 --> 00:25:05.319
to go to to to uh Hogsmead. They're still gonna

476
00:25:05.359 --> 00:25:09.359
want to go to you know, the the school that

477
00:25:09.400 --> 00:25:11.160
did to the whole the whole nine yards that's locked in.

478
00:25:12.160 --> 00:25:15.319
I originally was with you. I thought, oh, going down

479
00:25:15.359 --> 00:25:21.519
the Fantastic Beasts timeline is a little weird. But having

480
00:25:21.599 --> 00:25:25.680
experienced it, you've done it so well that I think

481
00:25:26.400 --> 00:25:29.240
I think they're going to I think there's still going

482
00:25:29.279 --> 00:25:32.960
to be a I think there's still going to be

483
00:25:32.960 --> 00:25:35.240
a draw for that area. I think where Disney went

484
00:25:35.279 --> 00:25:39.480
wrong is they tried to avoid committing, so they created

485
00:25:39.519 --> 00:25:45.000
something that doesn't really appear anywhere in the mythology and yeah.

486
00:25:44.799 --> 00:25:47.319
What I liked is specifically about the ministry thing is

487
00:25:47.359 --> 00:25:50.640
that you know, you see the papers, you see markers

488
00:25:50.680 --> 00:25:52.440
all around you that are like, this is where we

489
00:25:52.519 --> 00:25:55.200
are in the time, and so your your brain is

490
00:25:55.240 --> 00:25:57.279
triggered to be like, oh, here we are, like we're

491
00:25:57.279 --> 00:26:00.960
in this uh this time it's and I think that's

492
00:26:01.000 --> 00:26:01.480
the thing too.

493
00:26:01.519 --> 00:26:02.440
I think that's why a.

494
00:26:02.359 --> 00:26:04.799
Lot of guests are not aware when they go into

495
00:26:04.880 --> 00:26:08.519
the into the Star Wars land where you're like, well,

496
00:26:10.480 --> 00:26:14.519
there's not a lot of markers anywhere to signify the timeline.

497
00:26:14.519 --> 00:26:17.000
You had to like intuit it, which I know is

498
00:26:17.039 --> 00:26:19.400
they're part of it immersive. You know, you have to

499
00:26:19.680 --> 00:26:22.759
ask the cast members like what year it is or whatever,

500
00:26:23.000 --> 00:26:23.559
and it's.

501
00:26:23.359 --> 00:26:26.400
Like, well, I think most people don't do that well.

502
00:26:26.400 --> 00:26:28.640
And I think that also if you're going to Star Wars,

503
00:26:29.359 --> 00:26:32.720
you know, with almost and I may be speaking way

504
00:26:32.720 --> 00:26:36.720
out of turn here, but I think with pretty much anybody,

505
00:26:36.799 --> 00:26:39.000
if you say, who do you want to meet? We're

506
00:26:39.000 --> 00:26:41.160
going to go to Star Wars, a Star Wars theme land,

507
00:26:41.400 --> 00:26:44.559
who do you want to meet? And it's not going

508
00:26:44.599 --> 00:26:49.000
to be the residence of two you know, the whole

509
00:26:49.039 --> 00:26:52.680
idea behind the whole idea behind Galaxy's Edge. When it

510
00:26:52.720 --> 00:26:55.599
first opened, they were even comparing it to this is

511
00:26:55.599 --> 00:27:00.200
the unseen film, this is the movie that never was though,51200:27:01.200 --> 00:27:03.680



because it created But I can totally see why they51300:27:03.680 --> 00:27:05.960



would have thought that, because that way they can create51400:27:06.000 --> 00:27:09.440



a place where, depending on how clever their storytelling is,51500:27:09.799 --> 00:27:14.720



they can they can incorporate other characters from other films.51600:27:14.799 --> 00:27:16.720



And I think they were hoping that the.51700:27:16.799 --> 00:27:19.599



Characters, not just the films, because the films, the post51800:27:19.640 --> 00:27:22.119



will say the post Darth Vader films have been.51900:27:22.000 --> 00:27:24.680



Successful but not iconic.52000:27:25.240 --> 00:27:28.279



Yeah, so, and the characters certainly have not been iconic.52100:27:28.839 --> 00:27:30.559



I know that there are people who are going to52200:27:30.599 --> 00:27:33.200



probably leave horrible comments and saying, Scott, you don't know52300:27:33.240 --> 00:27:37.400



what you're talking about. But at least from my perspective,52400:27:37.440 --> 00:27:39.480



I think the iconic characters happened in the first three52500:27:39.480 --> 00:27:42.240



movies and then in the ones that kind of went52600:27:42.279 --> 00:27:48.160



back to that picking up that story, so that there's52700:27:48.200 --> 00:27:51.319



two generations that have seen new films with those same52800:27:51.400 --> 00:27:54.039



characters or that reference those same characters.52900:27:55.160 --> 00:27:57.079



We have some one last story. I'm going to try53000:27:57.119 --> 00:27:59.440



and get in here really quick before that time. So53100:28:00.720 --> 00:28:04.400



Universal Studios Japan uh, made an announcement this week. They're53200:28:04.400 --> 00:28:07.400



going to deliver immersive Pokemon experiences for fans. And the53300:28:07.480 --> 00:28:10.319



thing that this why this kind of went all around53400:28:10.680 --> 00:28:13.559



the theme park circuit in our area is that they53500:28:13.839 --> 00:28:17.680



Universal did mention in their corporate presentation about this that53600:28:17.720 --> 00:28:19.680



there it's going to be a larger partnership.53700:28:19.680 --> 00:28:21.240



They're going to roll this out to all of their53800:28:21.240 --> 00:28:26.920



properties worldwide. Uh what the this is, we don't know. Uh,53900:28:27.000 --> 00:28:28.920



it's very right.54000:28:30.160 --> 00:28:32.640



Yeah, so they're going to pilot whatever this is. They54100:28:32.640 --> 00:28:35.359



haven't said what it is. It's going to be like54200:28:36.960 --> 00:28:40.519



an immersive experience. And there there was one outlet in54300:28:42.160 --> 00:28:45.799



they got the original Japanese announcement and they said that54400:28:45.880 --> 00:28:47.920



it's going to be built around an ultra real experience54500:28:48.000 --> 00:28:51.279



that stimulates all five senses. So we don't know what54600:28:51.319 --> 00:28:53.440



it is, but we know there's a bigger partnership in54700:28:53.599 --> 00:28:56.920



the works with Pokemon that's going to start at USJ54800:28:57.079 --> 00:28:59.279



and then it will go to the other properties after that.54900:28:59.599 --> 00:29:02.759



I'm just say this is really smart. As usual, Pokemon55000:29:02.799 --> 00:29:05.400



is still a huge thing. There's Pokemon stuff everywhere. There's55100:29:05.400 --> 00:29:07.920



a new Pokemon theme park opening in Japan. Japan's a55200:29:07.960 --> 00:29:10.519



good place to test it. It'll be tricky to see55300:29:10.559 --> 00:29:13.519



about porting it elsewhere because the fan base is not55400:29:13.599 --> 00:29:16.519



quite as rabid in other countries than it is in Japan.55500:29:16.920 --> 00:29:20.359



But having been to usj and seeing the Pokemon stuff there,55600:29:20.359 --> 00:29:21.799



I can tell you it's probably not going to be55700:29:21.839 --> 00:29:24.240



a arrive. It's probably going to be like a parade55800:29:24.279 --> 00:29:28.640



inclusion or a character like a dinner, because when I55900:29:28.680 --> 00:29:31.200



went there, they had the Pokemon Cafe where you could56000:29:31.279 --> 00:29:33.640



order the themed meal, the Pokemon the meal, which is56100:29:33.680 --> 00:29:35.799



really cute. They had the little meet and greets, they56200:29:35.799 --> 00:29:38.640



had the dance party, they had the Pokemon Live show56300:29:38.759 --> 00:29:41.640



with the DJ Gengar, they had the water show, they56400:29:41.680 --> 00:29:44.079



had the parade like it's like everywhere. So I think56500:29:44.279 --> 00:29:47.200



there's plenty of live entertainment and food elements that I56600:29:47.240 --> 00:29:50.920



think they could wrap into some a fun experience for people.56700:29:51.319 --> 00:29:53.119



I don't think it is going to be a ride.56800:29:53.119 --> 00:29:55.279



I think it's going to be something like they're saying56900:29:55.319 --> 00:29:58.920



that's a I could see like a cafe, Pokemon cafe57000:29:59.279 --> 00:30:01.559



with a character, a greet and something like that.57100:30:02.000 --> 00:30:04.240



Or it could be something as simple as Pokemon go57200:30:04.319 --> 00:30:07.680



on steroids. You know, it should be something that exists57300:30:07.720 --> 00:30:10.160



throughout the entire an entire area, or entire land, or57400:30:10.160 --> 00:30:14.079



an entire park. But speaking of entirety, this is our57500:30:14.119 --> 00:30:17.079



show in its entirety because we're out of time. Guys,57600:30:17.119 --> 00:30:22.079



thank you all so much. Please please please subscribe. If57700:30:22.119 --> 00:30:25.160



you are watching us on YouTube, please subscribe. We would57800:30:25.200 --> 00:30:27.480



really appreciate that. That will help us out significantly, and57900:30:27.759 --> 00:30:30.640



you're probably getting tired of us saying it, but it58000:30:30.640 --> 00:30:33.160



will only help us as far as keeping this show going.58100:30:34.240 --> 00:30:37.799



And we're about to film and record an unhinged film.58200:30:37.880 --> 00:30:38.839



Listen to me, I'm so old.58300:30:39.400 --> 00:30:42.720



We're going to We're going to record it unhinged and58400:30:42.880 --> 00:30:44.359



we have no idea what we're going to say in there.58500:30:44.359 --> 00:30:46.799



So if you have the opportunity to join us on58600:30:46.799 --> 00:30:49.319



our Patreon show, please do and hear what we sound58700:30:49.319 --> 00:30:51.920



like when we're not in control yet believe it or not,58800:30:52.000 --> 00:30:57.039



this is in control, so on behalf of Philip Bernandez58900:30:57.119 --> 00:30:59.599



with Gandom lighting and controls, and myself Scott Swinston with59000:30:59.680 --> 00:31:01.960



Scott's what It's in creative development. This is Green Tag59100:31:02.000 --> 00:31:04.720



Theme Park in thirty and we will see you next week.

Scott Swenson, ICAE Profile Photo

For over 30 years, Scott Swenson has been bringing stories to life as a writer, director, producer, and performer. His work in theme parks, consumer events, live theatre, and television has given him a broad spectrum of experiences. In 2014, after 21 years with SeaWorld Parks and Entertainment, Scott formed Scott Swenson Creative Development. Since then he has been providing impactful experiences for clients around the world. Whether he is installing shows on cruise ships or creating seasonal festivals for theme parks, writing educational presentations for zoos and museums or training the next generation of attractions professionals, Scott is always finding new ways to tell stories that engage, educate and entertain.

Philip Hernandez, ICAE Profile Photo

CEO of Gantom, Publisher of Haunted Attraction Network

Philip is a journalist reporting on the Haunted House Industry, Horror events, Theme Parks, and Halloween. He is also the CEO of Gantom Lighting and Founder / Publisher of the Haunted Attraction Network, the haunted attraction industry's most prominent news media source. He is based in Los Angeles.