Aug. 25, 2025

Vegas Tourism Slumps, Disney and Epic Surge—What Story Do the Numbers Tell?

Las Vegas has logged six straight months of year-over-year visitor declines, with June alone down 400,000 guests amid economic jitters, inflation, and weaker Canadian travel. Is Vegas a canary in the coal mine for U.S. leisure spending—or just a regional wobble?


Las Vegas has logged six straight months of year-over-year visitor declines, with June alone down 400,000 guests amid economic jitters, inflation, and weaker Canadian travel. Yet in Orlando, Epic Universe’s Monsters Unchained just passed a million visits, SeaWorld hit record attendance, and Disney reported another record quarter. Plus, fan conventions nationwide are posting record attendance. As consumers become more savvy, one answer could be that generic “something for everyone” models struggle to cut through, while focused, IP-driven events keep thriving. Is Vegas a canary in the coal mine for U.S. leisure spending—or just a regional wobble?

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Okay, from our studios this week in Orlando and Tampa. Yes,

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we're both in Florida this week. This is Green Tag

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Theme Park in thirty. I'm Philip. This is Scott Swinson

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of Scott Swinson Carey Development, and on Green Tag we

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look at the top news every week and we discuss

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why it matters to business professionals in the theme park

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and theme entertainment space. And this week I thought we

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could talk a little bit about the Vegas controversy and

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overall what it is saying or not saying about the

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drop in tourism. Maybe that's happening in the US. I

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don't know.

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You're so solid about your point of view, Philip.

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It's so this is why I thought it was a

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good discussion. Maybe maybe I don't know, And I think

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that's that's why it's a good discussion, because like, really,

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what is going on? Because we're getting like so many

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different data points from different people, so like that you.

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Happen in this environment? Huh? Anyway, go ahead, Oh goodness,

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let's dive into this quagmire of data points.

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Yes, about two weeks ago, we got this report out

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that kind of made a lot of news at the time,

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and we didn't talk about it because we were absorbed

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with the Six Flags saga. Although this is related to

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the Six Flag saga, right, So previously we had talked

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about the Six Flags saga of the last several episodes.

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So you all are familiar at this point with the

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troubles that are going on at Six Flags, right, quite

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a few troubles, not just in the leadership, but also

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in the numbers and attendance and blah blah blah. So

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against this backdrop, we got to report out a few

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weeks ago about Vegas and essentially for the sixth sixth,

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that's sixth consecutive month this year, Vegas experienced a decline

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in the number of visitors year over year, with June

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seeing nearly four hundred thousand fewer visitors or eleven point

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three percent drop compared to the same time last year.

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And the report that this is sighting comes from the

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Las Vegas Convention and Visitors Authority. It also said that

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a dip in tourism reflected a broader backdrop of persistent

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economic uncertainty and weaker consumer confidence. Among the biggest blows

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has been the loss of visitors from Canada, and then

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of course Another factor is a persistent inflation and economic uncertainty.

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And essentially what the report is saying is that the

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sentiment has also been reflected national surveys and that Americans

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intend to take vacations this summer, like smaller vacations. They

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like a smaller budget basically for their summer travel, So

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still doing travel, but a smaller budget. So I feel

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like these are all part of a larger story. We

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talked so much about the Six Flag numbers and what's

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going on there. We had this report come out about Vegas,

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but then we also saw earnings reports that we didn't

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dive too much into. But the Disney ones were really

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good as usual, like the Disney ones were great. The

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Universal ones still good, a little bit more mixed, of course,

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because Universal's main business, of course, is still cable. But

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we did get news about Dark Universe. The Monsters ride

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there seeing a million visitors, which I assume doesn't mean

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a million uniques. I assume it means like a million turnstiles,

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right in terms of the queue. Right. But then obviously

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Six Flags Challenges and then SeaWorld the United Parks Challenges, right,

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their attendance was up, but their revenue was down and

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we talked a little bit about how they the CEO

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talked about the kind of the rising tide of their

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Orlando SeaWorld Orlando saw a huge increase in attendance, but

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that was and that can be traced exactly to the

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opening of Epic. So there's a lot of like I think,

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different markers were getting from all around the country. And

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the last thing I'll add to this picture this quagmire

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is that I was in Vegas for the opening of

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Horror Unleashed, and while I was there, I interviewed Egan

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and Jason Egan has five attractions in the Vegas area.

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So he has the Escape It chapters one and two,

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each of which is a ninety minute experience with sixteenth

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room sixteen rooms on each side and live actors, so

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they're big experiences. He also has a John Wick Experience,

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he has the Saw Escape, and he has a Blair

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Witch as well, So he has all ip and a

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lot of attractions are all around the Vegas area. And

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what he told me is similar to what we kind

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of heard from Seworld Orlando. Like he's like his stuff

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has been sold out, I mean all he's he's noticed

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a significant tick uptick in all of his attractions. They're

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all doing fine. He's had many areas that have been

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selling out, but his price point is much less, right,

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so Universal Horror unleashed. It's about eighty dollars for the

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one time visit to the haunts, so it's four haunts

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and it's eighty dollars. But his is like, you know,

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the ninety minute experience is about fifty five dollars, So

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it's a little bit less and the target point. So

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I kind of asked him he thinks that Vegas is

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this could be a blip, but he thinks Vegas is

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still worth betting on, obviously, and that his numbers have

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been fine. And we talked a little bit about the

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value seeking also nature of you know, the way he

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set up his businesses are all like in that still

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that value market like it's the perceived value is very high,

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right if it's fifty five of a person, but it's

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a ninety minute experience plus the shopping and plus X

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y Z that you can do your friends, it's quite

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a long time. Yeah, I don't know, Scott, what are

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we supposed to make of all of this information?

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Well, again, I'm not sure either, but I think there's

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a couple things that we have to take into consideration.

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You know, I've I've been hesitant to say it on

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this show, but I am concerned at this moment for

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the short term success of the Grand Theme Park. I mean,

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we're seeing it. We're seeing it obviously with six Flags,

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seeing it with the SeaWorld Parks and the Universal Parks

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and resorts, and I think I think part of that

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is because we've become so we as a as a culture,

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have become an American culture at least, have become so

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focused on we can get precisely what we want and

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we don't have to to dig through other muck and

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meyer to get there. So that makes that would help

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explain why the the the we'll call them the Egan

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experiences in Vegas are doing so well because they go

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specifically to the experience the guest wants, with the IP

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the guest wants to deal with. They don't have to

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pay extra for all the other stuff. They can go

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straight to what they want and they don't have to

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wade through other things. So I think I think that

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is a factor. I also think that there's and I'm

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hoping this is short term, but there is a sense

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of uncertain right now in in pretty much everything in

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the States, and I think that, you know, mentioning that

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the Canadian tourism is down in Vegas, Canadian tourist tourism

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is down everywhere, mainly because the country is recommending that

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people don't come here. There's that, and there are other

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European countries that are doing the same thing because of

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the uncertainty of our current political situation that they're they're

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recommending against traveling here. So I think international tourism is down,

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which of course hurts theme parks. Hurts theme parks a lot,

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So I think that there's there's that factor. I I

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also think that in in that desire, you know, we've

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talked about the importance of of immersive and I'm not

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even going to use the term immersive. I'm going to

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use focused or interactive or engageable or specifically what the

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guest wants. I think that is on the is on

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the So I think the massive theme parks have less

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of an appeal. They're too homogeneous. You know, before we started,

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before we started recording, we were talking about how you know,

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cosplay is basically just exploding and it's always been popular,

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but it's it's it's hit that tipping point. It's crossed

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over into the mainstream now. And because I think that

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addresses all the things that I just talked about. If

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you are a if you are a fan of Firefly,

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you can specifically focus on cosplay. You can go out

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and be you know, any of the Firefly characters. Or

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if you're a Deadpool fanatic, you can be a Deadpool character.

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You can so you can get that focus. You can

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be interactive, you can participate, and you know, I I've done.

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I've done Comic Con, I've done gen Con, I've done

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You've done Comic Con in San Diego. They're massive, absolutely

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massive audiences and they are exploding. So people don't have

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to go to theme parks to meet their favorite character.

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They go to cons to become their favorite character.

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Yep, it's interesting that you bring that up. I went

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to Anime New York City this past weekend and I

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just came into Florida from there, and I got a

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press release afterwards saying that they had a record year

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of one hundred and forty thousand attendees at Anime New

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York City, and previous to that, Anime Los Angeles, which

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is the one I've been going to for like fifteen years.

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They had four hundred and twenty thousand people at I

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mean like that is like.

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Over over how many days?

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Four days? Yeah, And see they had to they've had,

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like we said, they had to expand to take the

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entire block basically, and they had to move the security

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lines way out and just reconfigure the entire city basically

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to be able to fit that many people through that area.

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So yeah, and I wonder some of the stuff you said,

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It's like it's maybe this thing about focus. It's maybe

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also about the like with the Mega Park, I feel

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like we've made it too difficult in a way. And

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we talked about this with the app at Disney and

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the whole it being like a whole thing. I mean,

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it's so difficult, Like I mean, I but also the

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crowds of I don't know, it's so weird because we

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have these so many these different signals, right, we have

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on this one hand, everyone's like economy and value it,

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Oh my gosh, and then record attendants right at anime

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and all these things, and then also record attendants at

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Mickey's Not So Scary Halloween party, right, like I was

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there just last night and targeted audience.

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Yeah, oh yeah, more targeted than their day product.

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It's true. And it was absolutely like packed. And I

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mean there's there's been videos going around on the line

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that are like memes at this point with like that

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the crowds are insane in August, and it is true.

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Like I try to watch the first parade and I

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think I walked the entire parade line and it was

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five or six people deep the entire line. And it's

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and this is like, you know, August twenty fourth, you know,

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and it's.

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So we have a lot of mixed signals. It's interesting

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that you say it's already meme worthy. I saw I

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saw a meme from Not So Scary, and it was

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it was a shot of the crowds as they were exiting,

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and yes, yeah, it says the top go to hell,

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and the person below says, I think I'm already there.

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It's just trying to exit from Mickey's Not So Scary.

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Well exactly, so, I just I do feel like you're

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to your point of the mega park. It's kind of

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like it's almost become a little bit too much, and

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that could be what so Basically, I don't know what

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to think about any of this. I think we're just

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having a discussion about all the different data points and

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track them up with correct you know. But I do

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have that sense that like I do sense that in

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all the cases that it's that value mindedness, like that

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value like that sense of people seeking value for some reason.

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And then of course you pair that with trends we've

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been talking about previously, which is the trend that you

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do have a lot more people that have a lot

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more exposable income. So I think that there's multiple things happening.

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I think that's the problem. It's like, just like the pandemic,

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this is uneven because there are different things happening, they're

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different forces. So you do have people that have a

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lot of money, and so they're going to keep going

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to Disney and do the Disney experience. And even we

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didn't talk about this, but even the VIP experience that

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was announced for Horror Unleashed is twenty seven hundred dollars

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for Horror Unleashed for three hours, and because it's Vegas,

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because people still have the money. So I think you

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have that that trend.

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And in Vegas, not only do you have not only

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do they have the money, not only are they on vacation,

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but that actually targets the people who all of a

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sudden just hit it big in the casino and they're like, well,

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I have earned this, you know. So it's really the

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casino's paying for a lot of that, I'm afraid. But again,

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I think the other thing that I think is important

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to recognize is, you know, we're talking, as you say,

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we're talking about the various data points, but I don't

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think we're the only ones doing it, because just the

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very construction of Epic Universe, for example, those portals take

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you into a very focused, very specific ip and I've

238
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talked to many people who will say, of course I

239
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ran to insert favorite IP here first and experienced that.

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Then I went over and catch caught some of the

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other and then went back to my favorite. So it's

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really a focus on what do I want and the

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other stuff is there. But you know, they're really they're

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really paying for the Mario experience or the Burke experience,

245
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or the you know, they're they're paying for their focused

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interest and the way just simply the way Epic is

247
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laid out. Yeah, I'm immersed in your favorite ip, So

248
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maybe another way of saying it. I then you're saying focused,

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and I'm thinking that you're you do have a lot

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of Americans that have enough money they can do everything,

251
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which is great, But the majority of Americans, i think

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especially now, have to make choices about where they spend

253
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their money. I think when you're saying this focus, it's

254
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more about consumers have to make more difficult choices now

255
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and they're going to choose the thing that is that

256
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they want to do based on it being focused. So

257
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if they like Cosplayer, they like the comic stuff or

258
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the anime, they're going they're gonna make it to animex

259
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Bote or Die Trying, right, And if they want to

260
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see Supernintendo, they're going to go to Epic And because

261
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it's that element of this is for me, I'm going

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to do this.

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I'm gonna make the choice to make this priority. And

264
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do you think then following that that that is why

265
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United Parks and six Flags because they don't have a focus.

266
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So it's like it's just six Flags. It's like shrugging,

267
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They're like, eh, like's coasters. Yeah, it's just coasters exactly.

268
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So it's not coasters have blacked up.

269
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You know.

270
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That's yes, yes, And I'm not even just necessarily saying money.

271
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I'm just saying that there's not even an interest. It's

272
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like I don't have an interest to go to something generic.

273
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I have a very specific I think this is why,

274
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you know, we've been talking for quite some time now

275
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about how IPS are kind of driving the industry, and

276
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I think it's because of that. You know, it's either

277
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because of that or it is a symptom of people

278
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wanting what they want. They you know, they they want

279
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something that is specific, they want something that is clear.

280
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They don't want a day of fun at sea World,

281
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you know, it's they want I want to see this.

282
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And I think part of the thing that you know,

283
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unfortunately got lost for whatever reason. I'm not going to

284
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get into a debate at all about it, but I

285
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think that, you know, when SeaWorld kind of lost its

286
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clear focused rock star superstar in Shamou, I think they

287
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also kind of lost why or a reason for people

288
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to specifically go to the SeaWorld parks. Sure, I think that,

289
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you know, and I'm not I'm not even saying that

290
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that necessarily has to be IP. It just has to

291
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be very clearly focused. We can't just say come here

292
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and have a good time. That's not enough anymore.

293
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Yeah, so it sounds like maybe we're saying all these

294
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things are combining.

295
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So like you agree, you have to.

296
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Be specific, but then you also have to be value minded.

297
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So I think in maybe maybe in that case, that

298
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maybe explains some of the the pricing or the configuration

299
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of stuff like Horror Unleashed. Maybe because you have the

300
00:16:55.080 --> 00:16:59.279
two tiers. So there's there's a velvet rope option for

301
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people that have the money, which is spend twenty seven

302
00:17:01.600 --> 00:17:05.839
hundred dollars, but then there's the alternative option, which is

303
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still eighty dollars, which I think is a little high,

304
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but that's just me.

305
00:17:08.480 --> 00:17:10.039
But like, but it's also Vegas.

306
00:17:10.079 --> 00:17:11.160
I'm sure Vegas.

307
00:17:11.319 --> 00:17:12.720
I'm sure that there is a way that if you

308
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go to talk to your hotel concierge you can get

309
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twenty percent off of that. And sure there's a way.

310
00:17:17.680 --> 00:17:19.960
And there's but it's the idea of it's like focused.

311
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It's like if you want horror, no matter of the

312
00:17:22.720 --> 00:17:25.000
time of year or whatever, it's all horror. It's all here.

313
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It's that element of focus, and then that's why you

314
00:17:28.359 --> 00:17:31.680
know Jason's experiences too, Like you like john Wick, you

315
00:17:31.720 --> 00:17:34.640
like Action here, you know, you like Escape It and

316
00:17:34.680 --> 00:17:37.200
the IT franchise and Pennywise here. You know, like so

317
00:17:37.319 --> 00:17:40.839
it's and it's value minded. But I think you need

318
00:17:41.000 --> 00:17:43.039
all of these things right. You need to be value minded,

319
00:17:43.480 --> 00:17:46.039
but you also need to think about your focus and

320
00:17:46.079 --> 00:17:49.000
where you fit in the marketplace and then allow the

321
00:17:49.039 --> 00:17:51.480
option for people to spend more if they have the money.

322
00:17:51.640 --> 00:17:55.640
What is the thing that you offer that nobody else offers?

323
00:17:55.680 --> 00:17:57.720
And it doesn't have to appeal to everyone, It has

324
00:17:57.759 --> 00:18:02.440
to appeal strongly to enough people. I mean, you know,

325
00:18:02.720 --> 00:18:04.640
we've we were talking again, we were talking before the show,

326
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and you've you've you've shared your opinions on on Horror Unleashed,

327
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and so have many other people. And it's our Patreon.

328
00:18:12.279 --> 00:18:16.359
Though it doesn't matter. It doesn't well yeah, but I

329
00:18:16.359 --> 00:18:19.960
mean you've done it online, you've done about it. They did,

330
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my point being, my point being, it doesn't matter what

331
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people say about it. The Horror Nights fans are going

332
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to go and they're going to pay the eighty bucks

333
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and not they'll grop the grouse about it afterwards, but

334
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they're going to do it. They're gonna have to do

335
00:18:36.880 --> 00:18:40.839
it because they are so committed to that focal point.

336
00:18:41.200 --> 00:18:46.119
You know. It's it's interesting because you have to we

337
00:18:46.160 --> 00:18:51.119
have to now as attractions, people give guests a specific

338
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reason for them to come, and you know, it was.

339
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It's hard because we always want to say, well, I

340
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want to have something for everyone.

341
00:19:03.200 --> 00:19:03.400
Yeah.

342
00:19:03.519 --> 00:19:06.759
No, but unfortunately something for everyone is now translating more

343
00:19:06.759 --> 00:19:12.279
and more. It appears into nothing for anyone. Like I said,

344
00:19:12.440 --> 00:19:15.279
people are going to Epic because of one, maybe two

345
00:19:15.920 --> 00:19:19.240
of the portals. They're not going because it's a great

346
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theme park. They're going because they have to visit the

347
00:19:22.519 --> 00:19:26.839
newest chapter in Wizarding World. They have to go because

348
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they have to see the classic monsters.

349
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And then if it's Disney, it's just because it's Disney,

350
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because they have been able Disney.

351
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The overstory about Disney is so strong still. I mean,

352
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Disney Disney is for people who don't live in either

353
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California or Florida or any other country around the world

354
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or city around the world that has a Disney park.

355
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Disney's a right of passage.

356
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Ye.

357
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You know, Disney is something that you have to do

358
00:19:54.240 --> 00:19:57.039
because when you were a kid and your parents took

359
00:19:57.079 --> 00:20:00.000
you to Walt disney World or Disneyland or you know, Disneyland,

360
00:20:00.119 --> 00:20:04.279
Paris or whatever. You had such incredible memories, and you,

361
00:20:04.400 --> 00:20:07.759
as a parent or as a grown up with young people,

362
00:20:08.759 --> 00:20:12.839
have the responsibility in your minds to share that with

363
00:20:12.920 --> 00:20:15.759
the little people in your world, so, you know, and

364
00:20:16.000 --> 00:20:17.880
at the same time recapturing some of the joy that

365
00:20:17.920 --> 00:20:20.880
you experienced when you were little and went the first time.

366
00:20:21.000 --> 00:20:26.440
Yeah, and then the other parts, of course, don't have

367
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enough of a differentiator, because I think Disney has uniquely

368
00:20:29.880 --> 00:20:33.319
positioned their brand. I mean, they've been able to craft

369
00:20:33.359 --> 00:20:37.000
that brand brand. It's still stronger in that way, I

370
00:20:37.000 --> 00:20:40.960
think than Universal, where it can command the higher premium.

371
00:20:41.240 --> 00:20:44.839
Because I was thinking, even when I was at Maybing's

372
00:20:44.839 --> 00:20:47.480
Not So Scary last night, I was thinking, like nothing

373
00:20:47.519 --> 00:20:50.119
has changed, Like this is literally the same event. Even

374
00:20:50.160 --> 00:20:54.039
though they said that there is new stuff, I didn't

375
00:20:54.079 --> 00:20:54.319
see it.

376
00:20:54.519 --> 00:20:55.000
Characters.

377
00:20:55.119 --> 00:20:58.440
They added two new characters. They had the character from

378
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The Incredibles.

379
00:21:01.200 --> 00:21:05.039
No, that's that's Ogibligi Bash in Sorry California, right, sorry,

380
00:21:05.039 --> 00:21:09.680
wrong one. Yeah, and actually I'm glad you brought that up.

381
00:21:09.839 --> 00:21:14.079
So Ogibligi Bash in California. They added Syndrome from The Incredibles.

382
00:21:14.279 --> 00:21:17.359
But then it's just Maleficent returning. It's actually not a

383
00:21:17.400 --> 00:21:19.559
new character because she was there before. It's just her

384
00:21:19.559 --> 00:21:23.319
coming back. And so but here in Florida, they only

385
00:21:23.359 --> 00:21:26.640
added many to the Mickey meet and greet, so you

386
00:21:26.720 --> 00:21:29.319
can also see many now when you're seeing no with

387
00:21:29.400 --> 00:21:32.640
more Mini. Yeah, now with more Mini, that's basically it.

388
00:21:32.359 --> 00:21:36.160
Does that make it a Maxi Mini Now. Sorry, They said,

389
00:21:36.279 --> 00:21:37.599
I'll let you, I'll let you make your point. I

390
00:21:37.599 --> 00:21:40.960
won't interrupt anymore. They said that, just say whatever you're

391
00:21:40.960 --> 00:21:43.640
gonna say. I'll stop interrupting. Okay, thank you, Sure you

392
00:21:43.680 --> 00:21:44.960
have an important point ahead.

393
00:21:45.519 --> 00:21:50.240
Not really, I was just they said there was gonna

394
00:21:50.240 --> 00:21:52.680
be other meet and greet experiences of other characters, but

395
00:21:54.319 --> 00:21:56.839
I don't know, just random anyway. What what what struck

396
00:21:56.880 --> 00:21:59.839
me was that they don't need to change anything and

397
00:21:59.839 --> 00:22:03.200
then still get those crowds. But then Universal has to

398
00:22:03.240 --> 00:22:06.680
redo every house every year. And yes, I know that

399
00:22:07.319 --> 00:22:09.839
it's they keep a bunch of props and blah blah

400
00:22:09.839 --> 00:22:12.480
blah blahlah, but like you know what, it's still different,

401
00:22:12.559 --> 00:22:15.480
Like it's still Universal has to change things, and Disney

402
00:22:15.559 --> 00:22:18.480
just puts the same decorations up in the same spot,

403
00:22:18.640 --> 00:22:21.880
with the same everything exactly the same, and people show

404
00:22:21.960 --> 00:22:24.839
up and the crowds versus you know, universal where they

405
00:22:25.079 --> 00:22:26.319
do actually have to change stuff.

406
00:22:26.319 --> 00:22:28.279
But that's because one is based on tradition and the

407
00:22:28.319 --> 00:22:30.640
other is based on fear. You know, if you're if

408
00:22:30.680 --> 00:22:33.599
you're living tradition, you want the same thing coming back,

409
00:22:33.640 --> 00:22:35.799
you know. And it used to be that divide used

410
00:22:35.799 --> 00:22:39.720
to be between Halloween and Christmas. Christmas was building that tradition.

411
00:22:39.799 --> 00:22:44.960
I want to see the same tree decorations, the same lighting.

412
00:22:45.000 --> 00:22:48.160
I mean Indie Zoo, very small example, but Indie Zoo

413
00:22:48.519 --> 00:22:50.599
I was told I could never when I was working

414
00:22:50.599 --> 00:22:53.599
on that project, I could never get rid of the uh,

415
00:22:54.039 --> 00:22:59.960
the peacock lighting display because families would come year after

416
00:23:00.079 --> 00:23:02.400
year after year and get their picture taken in front

417
00:23:02.440 --> 00:23:05.880
of a flat, two dimensional peacock lighting display. Is it

418
00:23:05.920 --> 00:23:07.039
anything that's really stellar?

419
00:23:07.279 --> 00:23:07.359
No?

420
00:23:07.720 --> 00:23:12.519
Is it tradition? Yes? So therefore that is a form

421
00:23:12.599 --> 00:23:17.720
of IP, that is a personal family IP that we

422
00:23:17.759 --> 00:23:19.160
could not mess with. We had.

423
00:23:19.200 --> 00:23:20.240
In fact, we moved it.

424
00:23:20.160 --> 00:23:22.240
To a new location so that it would have easier

425
00:23:22.279 --> 00:23:28.440
access and better photographs. So but then, so even though

426
00:23:29.079 --> 00:23:33.240
Mickey's Not So Scary is still Halloween based. It's not

427
00:23:33.400 --> 00:23:36.079
based on scaring you. When you scare somebody, you have

428
00:23:36.119 --> 00:23:39.119
to in everybody's mind, you have to scare them with

429
00:23:39.160 --> 00:23:41.720
something new. You have to scare them with something that

430
00:23:41.759 --> 00:23:44.960
they haven't been scared by before because they know it's coming.

431
00:23:45.680 --> 00:23:51.160
Yep, yep. Pivoting slightly, but I think this is all related.

432
00:23:51.440 --> 00:23:58.640
So Midsommer Scream was recently October. Oh sorry, okamer, it

433
00:23:58.680 --> 00:24:03.319
was August fifteenth through the seventeenth. God, it feels like yesterday,

434
00:24:03.359 --> 00:24:06.160
but it actually was a time away anyway. So during

435
00:24:06.279 --> 00:24:08.920
Midsummer Scream, all the local team parks and all the

436
00:24:08.920 --> 00:24:11.160
local attractions come and they give announcements and they set

437
00:24:11.240 --> 00:24:13.759
up previous and blah blah blah yah da da okay whatever.

438
00:24:14.200 --> 00:24:16.640
You can read about most of that online. What I

439
00:24:16.640 --> 00:24:19.920
thought that was the most interesting was a few announcements.

440
00:24:20.319 --> 00:24:26.200
One came from Halloween Horn Nights and they had Ilo

441
00:24:26.319 --> 00:24:29.400
and Murdy and they basically talked about how they really

442
00:24:29.440 --> 00:24:32.000
collaborated on quite a few of the houses, especially the

443
00:24:32.119 --> 00:24:34.799
Terrifier ones, and like co designed them together and so

444
00:24:34.799 --> 00:24:36.920
they're mirrors blah blah. What was interesting is it's going

445
00:24:36.960 --> 00:24:39.480
to be like a where's Waldo with Arc the clown

446
00:24:39.880 --> 00:24:42.400
where he's just going to be around the park in

447
00:24:42.519 --> 00:24:45.599
like the merchandise stores and you know, hanging out while

448
00:24:45.599 --> 00:24:48.119
you're eating a hot dog and whatever, like just all around,

449
00:24:48.319 --> 00:24:51.319
which I think is a great inclusion. But it also

450
00:24:51.400 --> 00:24:54.559
shows the power of working with an ip that is smaller,

451
00:24:55.039 --> 00:24:58.680
right where you can have the direct relationships with the

452
00:24:59.279 --> 00:25:01.920
I mean, the film director was on stage with them

453
00:25:01.920 --> 00:25:04.200
talking about how excited they I mean, so that's that's

454
00:25:04.720 --> 00:25:07.440
a cool element. They also announced that the house in

455
00:25:07.480 --> 00:25:09.359
Florida is going to have a choose your own ending,

456
00:25:09.839 --> 00:25:12.839
one where you get as wet as front row Jurassic

457
00:25:12.920 --> 00:25:15.519
Park with blood, and the other is going to be

458
00:25:15.559 --> 00:25:20.039
a dry pathway. So that's an interesting again element of

459
00:25:20.119 --> 00:25:23.440
like I think that specificity right, like you can choose

460
00:25:24.160 --> 00:25:26.240
again a little bit to a Scott's point, choose a

461
00:25:26.279 --> 00:25:28.759
little bit about you have some agency, but also it's

462
00:25:28.920 --> 00:25:30.519
very like go in this one if you want the

463
00:25:30.519 --> 00:25:31.839
blood and the core and all that stuff.

464
00:25:31.960 --> 00:25:33.680
Well, and it also kind of goes back to people

465
00:25:33.720 --> 00:25:36.720
are going to go to Hornites because they're terrified terrifier.

466
00:25:36.279 --> 00:25:41.000
Fans yep, exactly. Yeah, yeah, so I think that that's

467
00:25:41.039 --> 00:25:46.279
all interesting. And then next is the thirteenth Floor Panels,

468
00:25:46.319 --> 00:25:48.799
So thirteenth Floor Maintainment Group. They have hound houses and

469
00:25:49.279 --> 00:25:54.759
events all across the country, and specifically, the stuff I

470
00:25:54.799 --> 00:25:57.039
thought was most interesting about all their panels that they

471
00:25:57.079 --> 00:26:02.240
announced at Midsummer Scream is that the Los Angeles Haunt

472
00:26:02.240 --> 00:26:04.160
hay Ride is going to have the inclusion this year

473
00:26:04.200 --> 00:26:08.160
of Elvira and Cassandra Peterson was on stage to do

474
00:26:08.200 --> 00:26:10.519
the announcements. Is fun thing, and the thing I thought

475
00:26:10.519 --> 00:26:12.920
was most impressive is how they've worked it into the narrative.

476
00:26:13.319 --> 00:26:16.839
So at the Lee Junta hay Ride, you are taken

477
00:26:16.960 --> 00:26:20.319
back in time to Halloween night and you're taken to

478
00:26:20.359 --> 00:26:23.400
the town of Midnight Falls. And so the town of

479
00:26:23.400 --> 00:26:26.200
Midnight Falls has a house on sale, and Elvira has

480
00:26:26.200 --> 00:26:28.480
purchased that house, and she's moved into that house, and

481
00:26:28.519 --> 00:26:32.079
you're going to see projections of her inside the house,

482
00:26:32.160 --> 00:26:34.559
moving the stuff around and all this you know, projector

483
00:26:35.160 --> 00:26:39.519
and so basically her voice is being woven into the

484
00:26:39.599 --> 00:26:43.279
experiences all throughout the different parts of the town. So

485
00:26:43.359 --> 00:26:45.720
that's a cool thing, but it comes with a very

486
00:26:45.759 --> 00:26:49.079
fancy merchandise deal so they're going to have Elvira Merch

487
00:26:49.400 --> 00:26:52.480
not just there at Lahanna hay Ride, but at all

488
00:26:52.519 --> 00:26:55.240
the merch shops throughout the country that they operate at

489
00:26:55.279 --> 00:26:59.279
all of their whatever thirty forty attractions. They have select

490
00:26:59.279 --> 00:27:01.480
the largest halloween company in the world at this point.

491
00:27:01.559 --> 00:27:06.000
So that is a very interesting you know, not just

492
00:27:06.039 --> 00:27:08.400
tighten the IP but also making it attractive to the

493
00:27:08.480 --> 00:27:11.559
for the IP holder because you have so many licensing

494
00:27:11.599 --> 00:27:15.559
deals that you can do for that. And also speaking

495
00:27:15.559 --> 00:27:18.400
about the themed food and the thing we've talked about

496
00:27:18.400 --> 00:27:21.000
previously about giving people a reason to purchase the food.

497
00:27:21.759 --> 00:27:26.799
So they're building a Midnight Falls Cider company and you're

498
00:27:26.799 --> 00:27:29.000
going to be able to go to the cider mill

499
00:27:29.640 --> 00:27:32.960
in this fictional town. And so they built a fictional

500
00:27:33.000 --> 00:27:37.759
mill basically, and you can get your apple cider cider donuts,

501
00:27:37.799 --> 00:27:40.519
and there's photo ops and you can walk through the

502
00:27:40.680 --> 00:27:44.279
like real fake mill and all this fun stuff. So

503
00:27:45.119 --> 00:27:47.720
I think all of these elements are kind of the

504
00:27:47.799 --> 00:27:50.160
best practices we've been talking about, but it kind of

505
00:27:50.240 --> 00:27:53.480
leans into all these elements of utilizing IP and making

506
00:27:53.519 --> 00:27:55.799
it seem of value because you're not just buying a donut,

507
00:27:55.799 --> 00:27:58.000
you're buying a donut in like a fake real cedar mill,

508
00:27:58.200 --> 00:28:02.880
cider mill and this whole thing. And last announcement from

509
00:28:02.880 --> 00:28:07.000
them that was interesting is their immersive show, Delusion is

510
00:28:07.039 --> 00:28:09.559
coming back this year to a new location, but this

511
00:28:09.680 --> 00:28:13.279
year instead because previously Delusion has been an original story, right,51200:28:13.279 --> 00:28:15.480



it's it's just been written on the old story. This year,51300:28:15.920 --> 00:28:18.480



they're basing it off of Dante's Inferno, So you're going51400:28:18.519 --> 00:28:22.440



to go through like a version of the Inferno again.51500:28:22.880 --> 00:28:27.720



They're leaning into IP that like most American children students51600:28:27.759 --> 00:28:30.319



study at some point in school or have heard about51700:28:30.720 --> 00:28:33.240



and so they have it's like tapping into an IP51800:28:33.400 --> 00:28:36.559



that is domain but that also people have background with,51900:28:36.640 --> 00:28:39.279



but it's their own version of it to make it52000:28:39.319 --> 00:28:41.599



more accessible instead of just telling a story that nobody52100:28:41.599 --> 00:28:42.680



has any idea about.52200:28:42.759 --> 00:28:45.599



So right, and yeah, it's it's the what it's it's52300:28:45.599 --> 00:28:48.759



the urban it's the next level of urban legend. I52400:28:48.880 --> 00:28:50.359



used to call you know, I used to call urban52500:28:50.440 --> 00:28:53.440



legend the IP for the poor man. But I but52600:28:53.480 --> 00:28:55.480



I think that this is you know, classic literature is52700:28:55.519 --> 00:28:57.599



the same way you can you can do the same52800:28:57.680 --> 00:29:01.079



thing with uh if you wanted to take oh gosh,52900:29:01.119 --> 00:29:03.240



what's the other one that if you want to take53000:29:03.240 --> 00:29:05.680



Peter Pan, for example, into a really dark, twisted version53100:29:05.720 --> 00:29:06.200



of Peter.53200:29:06.079 --> 00:29:08.759



Pan, which they have done it recently, and Winnie the53300:29:08.759 --> 00:29:11.160



Pooh is now is now in there, I think, yeah,53400:29:11.160 --> 00:29:12.799



with blood and honey, right yep.53500:29:13.400 --> 00:29:15.839



So, but again that's all stuff that as long as53600:29:15.839 --> 00:29:20.640



you're not aping the the Disney interpretations of these, as53700:29:20.640 --> 00:29:22.480



long as you're going back to the original source material.53800:29:22.519 --> 00:29:24.839



Wizard of Oz there's another one that you can pretty53900:29:24.880 --> 00:29:27.519



much do whatever you want to with. So, yeah, all54000:29:27.559 --> 00:29:33.519



of these things are again tapping into this idea of you.54100:29:33.559 --> 00:29:35.279



If you're a fan of this, you can only experience54200:29:35.319 --> 00:29:35.599



it here.54300:29:36.440 --> 00:29:40.039



Yeah, the Elvira thing, having her experience what she's doing54400:29:40.039 --> 00:29:42.799



there and then buying Ovira merch all throughout the country54500:29:42.880 --> 00:29:45.960



nationwide is a bargaining ship that they can use right54600:29:46.000 --> 00:29:49.279



into getting Elvira to come to you know, I mean54700:29:49.400 --> 00:29:51.759



previously she was at Knots and so going from like54800:29:51.839 --> 00:29:55.640



Knots to independent attraction, that's pretty big for the independent attraction.54900:29:56.079 --> 00:29:58.279



But this is I mean, let's be honest, this is55000:29:58.359 --> 00:30:01.799



not Tenth Floor is not an independent attraction. They are55100:30:01.839 --> 00:30:05.000



a nation company. They are a nationwide company and she actually.55200:30:04.799 --> 00:30:06.359



Tin company, but they're privately owned.55300:30:06.640 --> 00:30:10.039



Yes, but she will probably get more exposure through the55400:30:10.079 --> 00:30:12.759



thirteenth Floor deal. If she's going to get merchandise in55500:30:12.880 --> 00:30:16.319



everywhere and generate quite a bit of revenue, I would55600:30:16.359 --> 00:30:19.839



imagine Cassundra's not stupid. I mean, the woman is. The55700:30:19.880 --> 00:30:23.240



woman is very very smart, and I've had I had55800:30:23.400 --> 00:30:25.960



years and years ago. I had meetings with her in55900:30:26.000 --> 00:30:29.319



regards to Halla Scream and it just wasn't enough to56000:30:29.319 --> 00:30:32.200



pull her away from Knots at the time. So you know,56100:30:33.000 --> 00:30:36.880



she's she is, she's fun. She recognizes that she has56200:30:36.960 --> 00:30:44.119



built this, this empire IP and she continues to please56300:30:44.200 --> 00:30:48.079



fans left and right. So win win, win win. I guess,56400:30:48.599 --> 00:30:51.640



uh so, good, good for them, good for them, and56500:30:51.680 --> 00:30:54.200



good for us because we got through another episode because56600:30:54.200 --> 00:30:57.759



we're out of time. So yeah, we call this we56700:30:57.799 --> 00:30:59.680



call this theme park in thirty because we try to56800:30:59.680 --> 00:31:02.359



be cog listen of your time so that we ask56900:31:02.440 --> 00:31:04.599



all the right questions in the thirty minutes so that57000:31:04.640 --> 00:31:07.759



you can continue to have discussions. I will say, more57100:31:07.759 --> 00:31:11.200



and more people are reaching out via social media and57200:31:11.279 --> 00:31:14.400



commenting on our mini posts and all that kind of stuff.57300:31:14.400 --> 00:31:17.279



I really want to encourage that. Philip and I both57400:31:17.279 --> 00:31:19.079



try to respond. Philip is much better at it than57500:31:19.119 --> 00:31:22.200



I am, but we do try to respond. We do57600:31:22.240 --> 00:31:25.359



read all that stuff, and it does help us form57700:31:25.400 --> 00:31:27.079



what we're going to do the following week. It does57800:31:27.160 --> 00:31:30.680



help us understand better what you need or would like57900:31:30.720 --> 00:31:33.599



to hear from us. So please keep doing that. We58000:31:33.640 --> 00:31:37.400



really do appreciate that. And so I guess now I've58100:31:37.440 --> 00:31:40.799



gone overtime. Oh gosh, on behalf of Philip Bernandez. This58200:31:40.880 --> 00:31:43.240



is Scott Twinson. We are Green Tag Theme Park and58300:31:43.240 --> 00:31:44.440



thirty and we'll see you next week

Scott Swenson, ICAE Profile Photo

Scott Swenson, ICAE

For over 30 years, Scott Swenson has been bringing stories to life as a writer, director, producer, and performer. His work in theme parks, consumer events, live theatre, and television has given him a broad spectrum of experiences. In 2014, after 21 years with SeaWorld Parks and Entertainment, Scott formed Scott Swenson Creative Development. Since then he has been providing impactful experiences for clients around the world. Whether he is installing shows on cruise ships or creating seasonal festivals for theme parks, writing educational presentations for zoos and museums or training the next generation of attractions professionals, Scott is always finding new ways to tell stories that engage, educate and entertain.

Philip Hernandez, ICAE Profile Photo

Philip Hernandez, ICAE

CEO of Gantom, Publisher of Haunted Attraction Network

Philip is a journalist reporting on the Haunted House Industry, Horror events, Theme Parks, and Halloween. He is also the CEO of Gantom Lighting and Founder / Publisher of the Haunted Attraction Network, the haunted attraction industry's most prominent news media source. He is based in Los Angeles.