Oct. 5, 2025

Stardust Racers Reopens: Safety, Accessibility, and Universal’s Toughest Balancing Act

Universal has sparked controver over the reopening of Stardust Racers at Epic Universe, following a fatal incident earlier this year.

Universal has reopened Stardust Racers at Epic Universe, following a fatal incident earlier this year, and introduced new signage and stricter accessibility requirements. The latest safety guide now warns guests with weakened bones, limited mobility, or difficulty maintaining an upright position not to ride—and the “must walk independently” clause now extends across multiple attractions. Philip and Scott unpack what this means for operators who must balance guest safety, accessibility, and legal liability. Should Universal have waited longer to reopen, or do the updated rules demonstrate responsible transparency? Plus, Universal’s Vegas venue gets festive with Krampus and Kin, a dark-holiday overlay for Horror Unleashed.

Listen to weekly BONUS episodes on our Patreon.

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All right from our studios this week in Detroit and Tampa.

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This is Green Tag Theme Park and thirty. I'm Philip

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and I'm joined as always been my co host Scott Sweinson,

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Scott Sweitzson and Creativelopment. On Green Tag, we look at

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the week's top news and explain why it matters to

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business professionals in the theme entertainment space. And today Stardust

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Racers has reopened and we are looking at why.

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And everything around it.

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Yeah, what happened? Well, and I think I think before

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we even start, I think we have to to kind

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of clear the air and say, this is a terrible

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thing we have. You know, we are very sorry for

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the the the loss of a human life, and our

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respect and our condolences go out to the family and

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friends of Kevin and we hope that you know that

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they are able to overcome this. But we want to

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look at this from a business standpoint. We want to

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look at this from an operational standpoint, because again that's

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the sort of point of view of this particular podcast.

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We are not saying, we are not saying anything negative

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about the victim or their families. We are just here

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to kind of review how it's being handled and discuss,

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you know, kind of our opinions and our viewpoints based

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on our many years in the industry as to how

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this has evolved and is probably will continue to evolve.

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So our condolences to the family, and now let's look

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at it from a from a business standpoint and see

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how that unravels.

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Yeah.

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Also, we're not attorneys. Uh right, Yeah, where you to

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add that disclosure? We are not attorneys. Scott does is

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and I op a certified instructor and does train and

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I am i K certified, so we have those backgrounds,

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but we are not attorneys.

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We're also not at financial advisors. But you know, just

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we're getting them all out there, all the disclosures.

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Yes, I'm not a doctor, nor have I ever Edward

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on television.

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So basically, if I'm going to try and summarize sum

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this up. We talked about the news last time when

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it broke about the death that happened, and we had

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reported previously that the autopsy had ruled it an accident previously,

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and then it was closed for a while and now

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Universal has announced that it's reopening, and it seems like

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they are reopening it, but they are changing a few

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of the they're changing the signage outside the right, and

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they're also changing some of the guidelines in the safety

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protocols in the handbooks for this. That's what I understand.

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They're changing these elements. We're going to link to an article,

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a great article from click on Orlando that kind of

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goes through all the changes in detail, but also includes

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some quotes from both from both sides on this. And

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if we're looking at specifically, some of the sections that

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have changed, so it says an updated symbol legend for

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all attractions, more rider requirements for attractions including stars racers,

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and new language covering the topics of guests using wheelchairs.

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That's what's been changed.

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So I think what they removed, So what it used

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to say inside the employee or inside the guidebook was

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you must be able to take a small step into

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the ride vehicle compartment, either independently or with assistance from

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your companion. So that has been removed, and what they

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have added in its place is that guests using mobility

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devices must be able to walk independently. And it says

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and that's been added into the guests using wheelchair sections,

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and that seems to be the biggest shift is a

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change from being able to walk with assistance or move

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with assistance to being able to walk independently. And I

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think that to me, that's the biggest thing, because that's

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a very big difference.

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Well, and I think that you know the reasoning behind

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that because you have to recognize you know, we all know.

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Anybody in the industry knows that anybody who wants to

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ride a roller coaster will tell the operator anything they

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want to hear so that they can ride the roller coaster.

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I'm not saying that's what happened here, but by saying

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must be able to walk independently, it changes what they

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must demonstrates as their what their disability does and does

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not allow them to do. If you can walk independently,

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you can hold yourself upright, And that seems to be

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again not an expert, but based on everything that we've

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read and based on everything that we've seen, that seems

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to have been part of the situation, part of the

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reason that unfortunately the coaster took a human life. That's

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so I think that by demonstrating that you can't ask

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somebody can you sit up? But if you can make them,

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you know, if you make the safety restriction, they must

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be able to walk two or three steps unassisted. That

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proves doesn't ask, it proves that you can set up

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to ride the ride, and if that was indeed the issue,

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hopefully that will help reduce any misconceptions or or it

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will clarify the safety requirements for the ride.

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Well.

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And on that point too, the symbol that they added,

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so I was reading from the section the wheelchair guests

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with wheelchair section, but there also is the as I mentioned,

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the signage that's out front, and I'm reading here it

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says that that they What they have done is they've

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added a red circle with a diagonal line crossing it,

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and the symbol means a guess should not board an

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attraction if they have weakened bones or muscles, if they

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have the inability to independently maintain upright position, which is

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what you just said, or if they have any other

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conditions which may be aggravated. So that's so it seems

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like they've they're trying to also convey what you're saying,

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with like the symbol that outside the ride to be

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looking for that. So it's changed all the signage in

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addition to adding that clarity inside of of the you know,

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the operations.

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And the thing I think we need to reinforce here

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is all of the investigations that took place, and there

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were many after this. There was an internal investigation, there

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was an investigation by the ride manufacturer, there was an

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investigation obviously by the police, and then there was an

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investigation by a third party, an independent third party, and

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all of them came back saying that before, during, and

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after the situation, the ride was operating within the the

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operating standards that were there. Now the argument could be made,

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but someone still died. Why, Yeah, so well that on

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that point. So, as Scott mentioned, you know, on the

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Universal side, and they've given statements and all of those

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those people have have ruled it an accident. However, obviously

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the family is not happy about this, and they their

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counsel and the family and selfso put out statements that

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kind of talk to what Scott was saying. So first

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the family statement, the parents. The parents said, by rushing

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to reopen this ride as if nothing happened, Universal is

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showing great disregard for Kevin's life, our family's pain, and

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the safety of every rider who steps onto that coaster.

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We are horrified that Universal would put the ride back

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into operation so quickly. That's a statement from the parents

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and then the legal counsel. What the Loop Council said

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is a slightly different argument, but it's speaking to what

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Scottle was just mentioning. Basically, they said, startus Racers is

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evidence of an active death investigation. Reopening the ride before

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our experts can examine every component is unadulterated, spoilage of evidence,

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a grave risk public safety, and puts profits over people's lives.

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Universal reportedly told employees the ride functioned as intended. If

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that is accurate, then the design itself is deadly. We

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are demanding the Universal pause reopening, preserve all evidence, and

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allow our experts to inspect it.

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If they refuse, we will address Universsel's callous actions in court.

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So I guess at least the council is claiming they

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not everybody that's supposed to inspected have inspected it, So

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they're experts of not inspected.

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It so well, but they're always they're always going to

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I think both of these statements are filled with emotion. Obviously,

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the families makes total sense that they would be filled

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with emotion. Yeah, they are there's the way it reads,

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you know, and I'm not gonna I'm not going to

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judge them because they are emotional about losing a family member.

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But again, it is very emotionally based, you know, to

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say that it risks the life of every writer. Anytime

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absolute statements are made, they are usually incorrect. Yeah, you know, absolutes.

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You know, every writer was not endangered because every writer

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has not been injured or or you know, So we

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have to we have to kind of take that and

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take that with a I don't want to say grain

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of salt, but they've just lost a family member, so

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obviously they're going to have an outpouring of emotion and

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they're going to state things in a very emotional way,

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and I can't fault them for that looking at the

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council's statement. Usually usually an attorney and again not an attorney,

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but have been involved or aware of different situations regarding.

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Yeah, when you were working with Parks and entire your career,

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you've always encountered situations like this, and you've been on

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both ends of the attorney.

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Absolutely, and the attorneys quite often will do everything they

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can to delay a reopening, to make something to to

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help to help cause the park to lose money so

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that they are more likely to settle quickly. That's right,

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So I understand his point of view as well or

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her point of view. I don't know whether always his

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point of view. I know who it is his point

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of view. So uh again, to say that the internal view,

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the police view, the third party contract or the third party,

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the outside third party, and the vendor are all completely wrong,

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I think that's a little bold.

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Yeah, I think that's and.

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As far as evidence goes, the the evidence seems to be.

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You know, you can look at the growing number of

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writers who have ridden and not been injured. To me,

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that continues to build evidence against his case. So of

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course he wants to keep it closed.

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I I agree with that definitely. You know, especially with

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the attorney always has to argue their for their client right,

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so they're always taking it and that's their job. So

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I think I think they're doing their job, and I

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think that statement is a pretty Now, I think that

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statement is pretty good statement considering that they have to

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do their job about it. So it's it's it's a

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good angle to take with it. Right now, what I

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would say, I'm say two things, So reviewing all this information,

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I'm actually I do feel like Universal should have done

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something else.

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And that is just because.

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For for when our background, when it comes you know,

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to manufacturing or anything, when it comes to this theme

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park stuff, it's always overcorrect if you if there's a problem,

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you always overcorrect. And then when we're in customer service,

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we all understand that it doesn't matter if it was

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actually our fault. It's always our fault. You know, it's

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like the weather. It's not our fault, but it's our fault.

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You know, everything is.

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Unless unless it's an earnings call, and then it's.

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Yeah, correct, right exactly.

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But so that's from from that standpoint, I do think

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that it seems, uh, it does seem a little callous

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where the only changes were changes that were not really

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things you could market, right, even though I think the

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changes are good, Like I actually applaud the operations. I

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think the way they change the books and they don'tulture

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I think that's all. That's what I like to hear.

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As a nerd, I'm like, oh, this is great, but

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as Scott is always saying, you know, like that doesn't

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sell tickets, and I think something more from a PR

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thing would would have I think at least been a

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better gesture. However, all that being said, I don't think

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the Universal can because it is an open case and

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this is the problem, and this is also something that

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we've encountered. So it's just it's for those of you

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that are international listeners, it may seem weird, but America

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is a really litigious country. And so the problem with

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I think with Universal making any sort of other gesture,

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even though I just said that they should, and even

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though I believe that, I think that the problem with

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it is that while this is still going through the court,

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they almost can't do it because if they do anything

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that could be seen as evidence that they that they

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might be admitting to fault of some kind.

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Or worse yet, or worse yet knowingly allowing this to

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have and because again they knew that it was not safe.

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So I personally don't believe quite honestly.

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Yeah, So for example, I just want to give a

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quick example from our Suffer manufacturing. So you know, we

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in the past there's been some instances where you know,

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we have we manufacture lights, and of course our lights

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are not meant to be outdoor full full year round,

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like you know, they shouldn't go through free cycles, they

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shouldn't be buried in water of more than one foot

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of pressure. You know, there are some things that are

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pretty obvious, like when you buy them, we're like, this

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is not meant for this, and don't do it, and

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we will tell everyone not to do it. So there's

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been some attractions such I won't name names, but there's

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been attractions in the past that have put them like

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in snow, like buried them in snow, or put them

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in the bottom of a large water fountain or inside

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of a water jets and none of these things are allowed,

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right And then of course they get upset and they

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blame us, and we're like, we use them in properly.

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But again back to my point, even if it was

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the designer that is the one that specified it in

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the wrong way, the end client, you know, the attraction

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still blames us, right because the designer puts the blame

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onto us. And in some cases, you know where even

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where I have wanted to send replacements to just work

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with them because we want the project to be successful,

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we you know, our legal councils even told us not

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to because if we send replacements to a thing where

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we know that they install them improperly, then it's kind

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of like we're admitting to something even though we're not.

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So even though it's like we want to do the

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nice thing and just help them, even though we know

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that they did it wrong. Even if we because it's America,

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if we do it that way, there's a chance that

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it could be perceived as us.

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You know, a green that it was that some fault

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was ours, And.

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So it's really tricky like these things. That's my point

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is that this stuff is really tricky, and that's.

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Using Gantum as an example. You know, do you change

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do you go back and redesign the fixtures?

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So so what we have done in those cases is

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just like what Universal did. So we've redone the packaging,

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we've readone the labels, we've read on the training, we've

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readone all of the like operationally, this is how you

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do it, and we don't redesign fixtures. So this is

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why I'm saying I totally empathize with Universal, Like, yeah,

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it's like because we know there's nothing wrong with the design,

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it's just user error. But then the problem is there's

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so many Again, it's just like this blame game which

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is like, what's happening here. It's like the designer is

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the one in some cases that designed it improperly, but

285
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in sometimes it's not the designer. Maybe it's the installer. Right,

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There's so many people involved, and none of them want

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to take the blame, so they just say, well, it

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was faulty manufacturing, and we're like, well, we can prove

289
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it's not. So all you can really do in some

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of those cases is just make sure that there's packaging

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and stickers and there's warning labels all over.

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The thing, like don't put outside you know well. And

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it's the example that I that comes to my mind

294
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is the warning on cigarettes. The warning on cigare in

295
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the United States is, and I just looked it up,

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smoking cigarettes maybe hazardous to your health. If you ever

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see cigarettes outside the US, it is something as blatant

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as smoking kills you don't or quit now. I mean

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it is that it is that straightforward. So I think

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that in changing their signage, you know, we we like

301
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to think of it and kind of brushed it off

302
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as if it was lip service. But I think by

303
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making the signage more straightforward, even more aggressive, yep, then

304
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you know, the uh, the hopefully, hopefully it will, you know,

305
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dissuade people from writing. The next question that comes up

306
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in my mind, however, is I put on my DEI

307
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a hat and I think about accessibility and for guests

308
00:16:52.000 --> 00:16:59.720
in wheelchairs who simply cannot walk, cannot walk independently, does

309
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the does does this somehow impact of a DA regulations?

310
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Does it somehow impact the feeling that guests and wheelchairs

311
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are going to have towards the park, you know, because

312
00:17:15.839 --> 00:17:18.960
it's this This didn't just change, by the way, it

313
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didn't just change for for startus racers. It also multiple

314
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changed for multiple rides, so they're they're trying to get

315
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ahead of the game as well, and they're the three

316
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three of the most popular rides. From my understanding at EPIC,

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you must be able to walk independently from your wheelchair

318
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to get into the ride. So I guess my question

319
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is because I think about this when I went back

320
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in the days when I was working in the parks

321
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and I had guests and wheelchairs who would say, you know,

322
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you have us taking for the concerts, for example, you

323
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have us taking our wheelchair out across the sand and

324
00:17:55.319 --> 00:17:56.920
that is very difficult. And I said, yes, but it

325
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does meet the ADA standards, and their argument was, well,

326
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the ADA standards are not right because I'm I am

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a guest in a wheelchair, so therefore I can tell

328
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you this is this is difficult. Are you trying to

329
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be discriminatory against us, whether you are breaking the law

330
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or not, And so it is. It's a very very

331
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fine line. It's it's no different than you know, going

332
00:18:23.359 --> 00:18:27.160
back to universal again, when Wizarding World of Harry Potter

333
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first opened, and they they only they didn't have, as

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00:18:31.279 --> 00:18:35.759
they referred to it, Hagrid sized seats, so people who

335
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are people who are a combined height and weight were

336
00:18:41.720 --> 00:18:44.480
unable to ride because the the safety restraint did not

337
00:18:44.599 --> 00:18:45.279
close fully.

338
00:18:45.759 --> 00:18:48.160
Was the same with a Forbidden Journey, not just Hagrid,

339
00:18:48.200 --> 00:18:50.640
but before that it was Forbidden Joney Too Journey as well.

340
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I remember being in line opening day with someone who

341
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we waited eight hours and he wasn't allowed to ride.

342
00:18:57.160 --> 00:18:59.480
Yeah when we got up there. Yeah, so you.

343
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Know, But at the same time, I gotta say, you know,

344
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I I, as someone knowing my physical limitations, I would

345
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not I would not invest in a full data trampoline

346
00:19:13.319 --> 00:19:17.599
park because I'm going to get about five minutes and

347
00:19:17.640 --> 00:19:20.400
then I'm going to be watching everybody else jump up

348
00:19:20.400 --> 00:19:22.680
and down for a while. I'm not gonna go rock

349
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climbing because that's just outside of my abilities. Now I

350
00:19:27.279 --> 00:19:29.119
realize they're going to be people who think that I'm

351
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being callous and glib about it. I'm not. I'm not.

352
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I think it. I do think it is a very

353
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fine line, and I think it is a discussion that

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needs to happen. And perhaps, you know, if that we

355
00:19:40.839 --> 00:19:43.599
discover that there are people who are in wheelchairs who

356
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are upset about this, you know, maybe maybe there needs

357
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to be alternative offers. Maybe there needs to just simply

358
00:19:50.039 --> 00:19:53.000
be very clear. I think very clear statement. But again,

359
00:19:53.079 --> 00:19:55.160
very clear statement is difficult here in the United States

360
00:19:55.160 --> 00:19:58.359
if you're listening to outside because.

361
00:19:58.039 --> 00:20:00.960
For reasons I just said, yeah, it is very difficult

362
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because people use it as a way to reverse in

363
00:20:03.680 --> 00:20:05.599
and say, well, then you knew that there was fault,

364
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or you open without X Y Z, or you know,

365
00:20:07.920 --> 00:20:09.680
you know, why did you even put this product there

366
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if you thought there might be some sort of And

367
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the next and the.

368
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Next thing that happens is someone comes up and says,

369
00:20:15.599 --> 00:20:18.400
you know, why does why does universal hate people in wheelchairs.

370
00:20:18.440 --> 00:20:21.200
That's right, that's right. Yeah, it gets crazy. So I

371
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think I don't know.

372
00:20:22.559 --> 00:20:24.440
I think we've said everything we want to say, and

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Scott and I both shared our points. Again, I still

374
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think that they from a PR standpoint, you know, the

375
00:20:31.839 --> 00:20:34.319
PR person to me is always like, I think they

376
00:20:34.359 --> 00:20:37.799
should have made a different a gesture above and beyond. However,

377
00:20:38.119 --> 00:20:42.319
so the CEO, well, that's what I'm saying. The CEO

378
00:20:42.400 --> 00:20:44.880
had of me though, understands why they can't because if

379
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they do anything else beyond changing these operational guidelines, then

380
00:20:50.519 --> 00:20:53.200
it's going to be perceived in court as something that,

381
00:20:53.960 --> 00:20:57.039
you know, as some sort of admission of fault.

382
00:20:57.119 --> 00:20:58.359
So they can't do anything.

383
00:20:58.599 --> 00:21:00.599
So maybe after this, this might be a thing where

384
00:21:00.599 --> 00:21:03.480
we wait and see, after this completely wraps up, maybe

385
00:21:03.480 --> 00:21:07.279
in the future they'll do something differently with a new ride,

386
00:21:07.359 --> 00:21:11.240
or you know, maybe they'll keep adjusting and keep tweaking

387
00:21:11.319 --> 00:21:15.240
for the future. But I think that again, even if

388
00:21:15.279 --> 00:21:16.920
they want to do something else, I don't think they

389
00:21:16.960 --> 00:21:19.440
can just from a just from the fact this is

390
00:21:19.480 --> 00:21:20.359
still an ongoing case.

391
00:21:21.319 --> 00:21:23.960
Yeah, I agree with you, and I think that we

392
00:21:24.039 --> 00:21:26.559
have we have discussed all of the options and all

393
00:21:26.599 --> 00:21:28.440
of the at least the thoughts that the two of

394
00:21:28.519 --> 00:21:31.240
us have. And I started this way, I'm going to

395
00:21:31.319 --> 00:21:34.039
end this way. Are our condolences go out to the families,

396
00:21:34.680 --> 00:21:36.920
and our condolences go out to anyone who is who

397
00:21:37.079 --> 00:21:39.880
is because of the new restrictions, unable to ride this attraction.

398
00:21:40.440 --> 00:21:46.079
But you know, we still need to accessibility. Just like diversity,

399
00:21:46.160 --> 00:21:49.160
equity and inclusion. Accessibility is a journey and we need

400
00:21:49.200 --> 00:21:52.359
to continue to keep it top of mind and hopefully

401
00:21:52.359 --> 00:21:55.119
make certain that we make choices that allow the most

402
00:21:55.200 --> 00:21:56.960
number of guests to participate in everything that we have

403
00:21:57.000 --> 00:21:57.359
to offer.

404
00:21:57.839 --> 00:21:58.079
Yep.

405
00:22:00.440 --> 00:22:04.519
So speaking of journeys, Yeah, that's a pretty good h

406
00:22:04.640 --> 00:22:09.240
you know, it's a good good segue. So we discussed

407
00:22:09.400 --> 00:22:14.039
at length Horror Unleashed, which is Universal's new year round

408
00:22:14.039 --> 00:22:17.799
horror experience in Las Vegas at Area fifteen. I went

409
00:22:17.839 --> 00:22:20.799
there for the media preview and we discussed a many

410
00:22:20.839 --> 00:22:23.400
episodes back about what it was like and whatnot. But

411
00:22:23.799 --> 00:22:26.559
the quick recap is there are four it's all indoors.

412
00:22:26.680 --> 00:22:29.519
There are four haunted houses, and then there are themed bars,

413
00:22:29.640 --> 00:22:32.160
and then the connective tissue is like a giant scare

414
00:22:32.240 --> 00:22:36.079
zone right with roaming characters so we discussed back then.

415
00:22:36.359 --> 00:22:41.480
The biggest element, my biggest concern with it for this

416
00:22:41.519 --> 00:22:43.839
whole time has been what are they going to do

417
00:22:44.400 --> 00:22:48.680
when it comes like January February time period and it's

418
00:22:48.680 --> 00:22:51.839
a Wednesday in February, and who's going to be going

419
00:22:51.880 --> 00:22:55.039
to see haunted houses? You know, especially at the price point,

420
00:22:55.039 --> 00:22:59.119
which is pretty maybe not steep for Vegas, but steep

421
00:22:59.200 --> 00:23:03.720
I think for independent attractions. So that's always been my concern. Now,

422
00:23:03.759 --> 00:23:06.640
when I spoke to the folks there, interviewed them, they

423
00:23:06.680 --> 00:23:08.599
had always been talking about how this was going to

424
00:23:08.599 --> 00:23:11.759
be an evolving project and they're going to be adjusting

425
00:23:11.799 --> 00:23:14.960
as it goes, basically. And we have the first press

426
00:23:15.000 --> 00:23:17.319
release out this week about what they some of the

427
00:23:17.319 --> 00:23:18.799
plants they have. So they are going to do a

428
00:23:18.920 --> 00:23:22.200
Christmas overlay. It's called the Legend of the dark Yule.

429
00:23:22.480 --> 00:23:26.519
Crampus and Kin debuts this November at the new Universal

430
00:23:26.519 --> 00:23:29.759
Horror Unleashed in Las Vegas. It says guests can enjoy

431
00:23:30.160 --> 00:23:33.480
the all new immersive holiday experience featuring legendary creatures, erie

432
00:23:33.519 --> 00:23:35.799
photo ops, and seasonal delights at the year round horror

433
00:23:35.839 --> 00:23:41.960
spectacle Cramper Cramper crampis and Kin. Crampus and Kin offers

434
00:23:42.000 --> 00:23:44.039
guests and eerie twists on the holidays where they'll encounter

435
00:23:44.400 --> 00:23:48.759
monstrous mists of dark Yule like Crampus, Gryla and I

436
00:23:48.799 --> 00:23:52.640
can't pronounce that, guess we'll brave the terror of these

437
00:23:52.640 --> 00:23:54.799
ancient andities in photo ops where they can pose with

438
00:23:54.839 --> 00:23:57.599
Carampus on its suwosted throne, step in the Griila's cauldron,

439
00:23:57.680 --> 00:24:00.759
or stand beneath the cursed canopy of the writing tree.

440
00:24:01.119 --> 00:24:02.920
The character that you can't pronounce it, I can't know what,

441
00:24:03.000 --> 00:24:05.039
I can't even begin to. In addition to photo ops,

442
00:24:05.039 --> 00:24:08.119
they'll witness grand professional that'll fill the abandoned warehouse as

443
00:24:08.160 --> 00:24:13.119
creatures and their unearthly powers unearthly followers parade through, leaving

444
00:24:13.240 --> 00:24:16.960
behind tokens of their legend. So from reading all of

445
00:24:17.000 --> 00:24:19.440
this press speak, it sounds like what they're going to

446
00:24:19.519 --> 00:24:22.960
do is not change the haunted houses themselves, but basically

447
00:24:23.039 --> 00:24:26.599
change that flex area that they TJ talked about when

448
00:24:26.640 --> 00:24:29.319
I interviewed him. That's the flex area they have around

449
00:24:29.440 --> 00:24:32.599
the stage where they have Jack Jack's show now, but

450
00:24:32.720 --> 00:24:35.119
it's built to be a flex more flex area. So

451
00:24:35.119 --> 00:24:38.279
it sounds like they're going to add in photo ops

452
00:24:38.559 --> 00:24:42.160
with Crampus and the other creatures, and then add a

453
00:24:42.279 --> 00:24:44.359
kind of like a Crampish Nott parade that will go

454
00:24:44.440 --> 00:24:46.079
through professional they'll go through.

455
00:24:48.319 --> 00:24:48.799
Interesting.

456
00:24:49.519 --> 00:24:52.000
Yeah. Well, and I think the easiest way to explain

457
00:24:52.039 --> 00:24:53.440
it is kind of the way they did too, which

458
00:24:53.440 --> 00:24:55.720
is to say, it's not a haunted house. It is

459
00:24:55.720 --> 00:24:58.559
a series of activations taking place for a limited amount

460
00:24:58.599 --> 00:25:02.559
of time. So I think I think that's well, I

461
00:25:02.559 --> 00:25:05.079
mean it is. It's not a They're not changing out

462
00:25:05.079 --> 00:25:08.240
the haunts. They're They're just adding an activation, just like

463
00:25:08.319 --> 00:25:11.200
you know, most theme parks don't change out the roller coasters. Yeah,

464
00:25:12.000 --> 00:25:14.759
but I love it. I think it's I think it

465
00:25:14.839 --> 00:25:18.240
is such an intelligent approach. It is so on brand,

466
00:25:18.319 --> 00:25:22.519
especially for the first year. I think that it is

467
00:25:24.359 --> 00:25:29.279
less potentially offensive than doing like a wretched Santa Claus.

468
00:25:29.960 --> 00:25:33.119
I think ye knocked and keeping all of the winter

469
00:25:33.200 --> 00:25:41.119
solstice and winter creepy creatures is super smart. You know that.

470
00:25:42.079 --> 00:25:44.599
It's even even in Christmas carols we hear about telling

471
00:25:44.640 --> 00:25:46.880
old ghost stories. You know, one of the best ghost

472
00:25:46.880 --> 00:25:50.400
stories in the world is actually Charles Dickens, you know,

473
00:25:50.440 --> 00:25:56.319
So it's it makes sense. It's so on brand. It's

474
00:25:56.359 --> 00:25:58.440
so unique. And as I always ask my clients, what

475
00:25:58.519 --> 00:26:00.480
is something you can do that nobody else can away with?

476
00:26:01.519 --> 00:26:02.680
And this is clearly that.

477
00:26:03.839 --> 00:26:05.960
Well, I would push back a little bit. I think

478
00:26:06.000 --> 00:26:09.039
almost everyone does crampus. I mean my like local Burger

479
00:26:09.119 --> 00:26:11.799
Joint does crampus, right, I mean like everyone does it.

480
00:26:11.839 --> 00:26:15.000
So I think that do they do a crampusnock parade? Yes,

481
00:26:15.519 --> 00:26:17.240
not the local burgers Joint, but we have plenty of

482
00:26:17.319 --> 00:26:20.640
local Burger Joint does not do a full parade. We

483
00:26:20.680 --> 00:26:22.559
do have plenty of them here. We actually even have

484
00:26:22.759 --> 00:26:26.359
a Los Angeles Crampis troop that does a parade all

485
00:26:26.400 --> 00:26:29.759
around Los Angeles at different dates. So and we see

486
00:26:29.759 --> 00:26:33.440
that at the conventions, Cosplay Conventions, Horror. I mean, so

487
00:26:34.759 --> 00:26:36.920
I agree with you rit large. I do think that

488
00:26:37.000 --> 00:26:40.799
it is it's it's the best way to utilize the

489
00:26:40.839 --> 00:26:44.680
space because all you need to do is add in

490
00:26:44.759 --> 00:26:50.240
some seasonal decor. And I also think that Vegas has

491
00:26:50.359 --> 00:26:53.039
does have a market for this, like the Area fifteen

492
00:26:53.640 --> 00:26:55.839
usually does some holiday stuff. They do like a Nimer

493
00:26:55.880 --> 00:26:59.319
for Christmas immersive sing along which sells pretty well, and

494
00:26:59.400 --> 00:27:02.079
they have a pop up bars that are all spooky

495
00:27:02.119 --> 00:27:04.000
themed and they have a bunch of it's a they

496
00:27:04.000 --> 00:27:06.480
have a culture in that region for this type of

497
00:27:07.279 --> 00:27:10.039
holiday overlay type of thing. I would only push back

498
00:27:10.079 --> 00:27:12.519
on the uniqueness of it, like I think that Crampus

499
00:27:12.640 --> 00:27:18.079
is done in a lot of all over the country,

500
00:27:18.160 --> 00:27:20.519
it's done. They are at least over There are at

501
00:27:20.559 --> 00:27:22.839
least one hundred events that I have a list of

502
00:27:22.839 --> 00:27:24.160
that Crampis is featured.

503
00:27:23.880 --> 00:27:25.599
In, but I bet they don't include Griyla.

504
00:27:26.759 --> 00:27:28.799
I think Griyla is a good twist. Yeah, I think

505
00:27:29.200 --> 00:27:33.039
we can't pronounce yeah that one. And I like the

506
00:27:33.039 --> 00:27:35.039
idea of the photo ops because we've just talked about

507
00:27:35.039 --> 00:27:37.000
how important photo ops are and how everyone wants to

508
00:27:37.000 --> 00:27:39.480
take make content and do that. So I think if

509
00:27:39.559 --> 00:27:42.720
they could position this, you know, as like the spooky

510
00:27:42.799 --> 00:27:46.880
holiday destination for for Vegas, where it could be the

511
00:27:46.920 --> 00:27:50.759
most immersive and the most quality one. Because most of51200:27:50.759 --> 00:27:54.559



the other pop ups are independent places, you know, doing51300:27:55.039 --> 00:27:58.400



trying to try and just making. They don't have universals51400:27:58.960 --> 00:28:01.920



carpenters and universe painters and fabricators. So I think the51500:28:02.000 --> 00:28:05.319



reverse has the potential here to do something much on51600:28:05.359 --> 00:28:08.559



a much grander scale. I'm still going to be curious51700:28:08.559 --> 00:28:11.400



to see if it'll push the needle over, because I'm51800:28:11.440 --> 00:28:14.880



just thinking of myself, like internally, would I pay to51900:28:14.920 --> 00:28:17.680



go again? And I don't me personally, I'm not sure52000:28:17.680 --> 00:28:22.480



that I would, just because it's still pretty expensive and again,52100:28:23.319 --> 00:28:26.519



what am I paying for? Well, to me, it'd be52200:28:26.680 --> 00:28:29.359



just paying for the Crampis items, because I've already seen52300:28:29.400 --> 00:28:30.079



the haunted houses.52400:28:30.400 --> 00:28:32.920



So I'm not sure.52500:28:32.960 --> 00:28:34.519



I think we'll have to wait and see, you know,52600:28:35.079 --> 00:28:37.759



just if it will encourage new visitations. I think the52700:28:37.880 --> 00:28:41.039



question is are you encouraging new visitation or is it52800:28:41.119 --> 00:28:43.079



just going to be people who couldn't make it during52900:28:43.079 --> 00:28:45.720



the Halloween season that are coming to see it for53000:28:45.759 --> 00:28:46.559



the first time.53100:28:46.559 --> 00:28:48.200



Or is it a tipping point for people who are53200:28:48.240 --> 00:28:50.559



in Vegas over the Christmas holidays.53300:28:50.759 --> 00:28:53.559



Yeah, and maybe they were like I wouldn't go.53400:28:53.599 --> 00:28:55.200



I wouldn't go if it was just the hunted houses.53500:28:55.200 --> 00:28:58.039



But they're doing Crampus and they're doing Gila and so53600:28:58.039 --> 00:29:00.799



they're doing it. And again we said this when we53700:29:00.839 --> 00:29:02.880



talked when we reported on this originally too. We have53800:29:02.920 --> 00:29:05.759



to recognize this is not for us, Philip, This is53900:29:05.839 --> 00:29:07.119



we are not their target audience.54000:29:07.599 --> 00:29:09.880



That's right, and even me, I think, I think the54100:29:09.920 --> 00:29:12.440



reason I'm so blase about it is even because I've54200:29:12.480 --> 00:29:15.279



done so many Crampus events, right that I'm like, but like,54300:29:15.359 --> 00:29:18.480



to your point, someone who hasn't done Crampus events and54400:29:18.599 --> 00:29:23.039



who maybe's only seen only heard about Crampus in passing54500:29:23.079 --> 00:29:25.160



this could that could be really fun, especially if they're54600:29:25.160 --> 00:29:26.759



in Vegas well, and if even if.54700:29:26.640 --> 00:29:28.599



There are people who are familiar with Crampus events. The54800:29:28.680 --> 00:29:31.000



fact that this is Crampus and Kin and has the54900:29:31.279 --> 00:29:35.680



two others and has other storytelling with various other cultures.55000:29:35.759 --> 00:29:37.640



My guess is they sat around a brainstorming table and55100:29:37.640 --> 00:29:39.359



they went, yeah, there's a lot of Crampus events out there,55200:29:39.359 --> 00:29:41.799



maybe we should add something. And they do have the55300:29:41.799 --> 00:29:43.680



they had the Grampus movie or is that legendary?55400:29:43.759 --> 00:29:46.160



Sorry? Am I mixing my aps up? It has the55500:29:46.240 --> 00:29:46.960



campus movie.55600:29:47.000 --> 00:29:49.519



I have no idea. I have no idea, but I55700:29:50.119 --> 00:29:51.720



do think that it's I do think it's a great55800:29:51.759 --> 00:29:55.480



fit for them, and I think that you know, as55900:29:55.480 --> 00:29:57.640



you say, is it enough to make a return visit56000:29:57.720 --> 00:30:01.960



for locals that I don't know, although I know some56100:30:02.000 --> 00:30:05.200



people who would spend the ticket price to just get56200:30:05.240 --> 00:30:08.680



a great crampus photo for their Christmas card. I know56300:30:08.759 --> 00:30:12.559



those people, so none of them live in Vegas, but56400:30:12.599 --> 00:30:16.319



I know those people. Anyway, that is the end. You know,56500:30:16.319 --> 00:30:18.599



we're ending. We're ending on a festive note, or at56600:30:18.680 --> 00:30:21.880



least festive for us. This Halloween season's booky festive, booky56700:30:21.880 --> 00:30:24.960



festive note. We're out of time. Guys, Thank you so56800:30:25.119 --> 00:30:28.519



much for listening or watching. If you are watching, please56900:30:28.640 --> 00:30:31.720



like and subscribe. That really helps us out so that57000:30:31.759 --> 00:30:34.400



we can continue to do this and continue to bring57100:30:34.440 --> 00:30:37.720



this information to you. Continue to ask questions. We love that,57200:30:37.759 --> 00:30:39.759



And if you'd like to join us for Unhinged, please57300:30:39.839 --> 00:30:45.119



join our Patreon Patreon supported second show where we kind57400:30:45.119 --> 00:30:49.000



of dig deep. And this week we are digging deep57500:30:49.079 --> 00:30:54.799



into media kits and press and specifically targeting the haunted57600:30:54.839 --> 00:30:57.359



attraction industry because that's kind of the industry that is57700:30:57.599 --> 00:31:00.799



most prevalent this time of year. So until next time57800:31:01.000 --> 00:31:03.240



on behalf of Philipernandez. I'm Scott Swenson and this is57900:31:03.279 --> 00:31:05.359



Green Tag Theme Park in thirty and we will see58000:31:05.400 --> 00:31:06.279



you next week.

Scott Swenson, ICAE Profile Photo

Scott Swenson, ICAE

For over 30 years, Scott Swenson has been bringing stories to life as a writer, director, producer, and performer. His work in theme parks, consumer events, live theatre, and television has given him a broad spectrum of experiences. In 2014, after 21 years with SeaWorld Parks and Entertainment, Scott formed Scott Swenson Creative Development. Since then he has been providing impactful experiences for clients around the world. Whether he is installing shows on cruise ships or creating seasonal festivals for theme parks, writing educational presentations for zoos and museums or training the next generation of attractions professionals, Scott is always finding new ways to tell stories that engage, educate and entertain.

Philip Hernandez, ICAE Profile Photo

Philip Hernandez, ICAE

CEO of Gantom, Publisher of Haunted Attraction Network

Philip is a journalist reporting on the Haunted House Industry, Horror events, Theme Parks, and Halloween. He is also the CEO of Gantom Lighting and Founder / Publisher of the Haunted Attraction Network, the haunted attraction industry's most prominent news media source. He is based in Los Angeles.